Reading Order

The Faerie Queene Reading Order

The Faerie Queene (1590–1596) by Edmund Spenser is the longest poem in English — an allegorical epic in which each of the projected twelve books follows a different knight representing a different moral virtue through the realm of Gloriana, the Faerie Queene, who represents Queen Elizabeth I. Of the projected twelve books, six complete books and a fragment of a seventh survive. Book I follows the Redcrosse Knight (Holiness), accompanied by the lady Una (Truth), as he battles Error, is deceived by Archimago and Duessa, and must be rescued from Orgoglio before he can complete his quest by defeating the dragon and freeing Una's parents. Book II follows Sir Guyon (Temperance) through the Bower of Bliss to destroy Acrasia. Book III follows Britomart (Chastity), the female warrior knight modelled partly on Ariosto's Bradamante, through her quest to find her future husband Artegall, whom she saw in a magic mirror. The poem is written in the Spenserian stanza (nine iambic lines, the last an alexandrine, rhyming ababbcbcc), which Spenser invented for the poem and which became one of the most used stanza forms in English Romantic poetry. Keats used it for The Eve of St Agnes, Byron for Childe Harold, and Shelley for Adonais. Milton read The Faerie Queene as a boy and its allegorical machinery runs through Paradise Lost. The poem is extraordinarily rich and deliberately difficult — it requires patience, a commentary, and a tolerance for allegory, but rewards sustained reading with some of the most beautiful verse in English.

Where to start

The Faerie Queene (1590–1596) — Books I and II are the natural starting point. Best Faerie Queene reading order: begin with Book I (Holiness/Redcrosse Knight) and Book II (Temperance/Sir Guyon) as the most complete and most self-contained books; then Book III (Chastity/Britomart) for the female knight's story. The Hamilton annotated edition (Longman) is essential — the poem cannot be read without notes.

Complete The Faerie Queene Book List

  1. 1

    The Faerie Queene

    Edmund Spenser (ed. A.C. Hamilton)·2001·The annotated edition — Hamilton's Longman text with line-by-line notes is essential; The Faerie Queene cannot be read without a commentary and Hamilton's is the best
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  2. 2

    Paradise Lost

    John Milton·1667·The poem that inherits The Faerie Queene's allegorical tradition — Milton read Spenser intensively as a boy and the allegory of Sin and Death in Paradise Lost draws directly on Spenser's allegorical method; reading both reveals the tradition
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  3. 3

    The Pilgrim's Progress

    John Bunyan·1678·The allegory that translates the Spenserian tradition into Protestant plain prose — Bunyan's Christian travels through the same landscape of allegorical personifications (Giant Despair, Vanity Fair, Slough of Despond) that The Faerie Queene inhabits
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  4. 4

    Orlando Furioso

    Ludovico Ariosto·1532·The Italian Renaissance epic that was Spenser's most important model — Ariosto's romance epic of Orlando's madness and Ruggiero and Bradamante's love story gave Spenser his female knight Britomart and much of his narrative machinery; the essential predecessor to The Faerie Queene
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  5. 5

    The Eve of St Agnes

    John Keats·1820·The poem written in the Spenserian stanza — Keats's medieval dream-romance uses the stanza Spenser invented and captures the same quality of dreamlike sensuous beauty that is The Faerie Queene's most distinctive feature; a good introduction to what the Spenserian aesthetic feels like
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  6. 6

    Childe Harold's Pilgrimage

    George Gordon Byron·1812·Byron's Romantic narrative poem in the Spenserian stanza — Byron uses Spenser's stanza for his restless hero's travels through post-Napoleonic Europe; the Romantic continuation of the Spenserian tradition
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The Faerie Queene — Frequently Asked Questions

What is The Faerie Queene about?

The Faerie Queene (1590–1596) by Edmund Spenser is an allegorical epic — the longest poem in English — in which each book follows a knight representing a different moral virtue through the realm of the Faerie Queene (who represents Queen Elizabeth I). Of the planned twelve books, six complete books and a fragment survive. Book I follows the Redcrosse Knight (Holiness) and Una (Truth) against Error, Archimago, and the dragon. Book II follows Sir Guyon (Temperance) to destroy the Bower of Bliss. Book III follows the female knight Britomart (Chastity) in quest of her destined husband. The poem is written in the Spenserian stanza that Spenser invented and that Keats, Byron, and Shelley all used.

How do I start reading The Faerie Queene?

Begin with Book I (the Redcrosse Knight and Una), which is the most complete and self-contained book and introduces the poem's allegorical method. Book II (Sir Guyon and the Bower of Bliss) is the most unified in action. Book III (Britomart) is the most novelistic and perhaps most appealing to modern readers. A commentary is essential — the poem's allegory is dense with biblical, classical, and contemporary political reference that is invisible without notes. A.C. Hamilton's Longman annotated edition is the standard scholarly text. Reading twenty or thirty stanzas per sitting, slowly, is more rewarding than trying to read it like a novel.

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