Reading Order

Stamboul Train

Graham Greene Stamboul Train Reading Order

Graham Greene's Stamboul Train (1932) — published in America as Orient Express — was his first popular success and the first of his 'entertainments,' the term he used to distinguish his genre thrillers from his more serious fiction. The novel follows a series of passengers on the Orient Express from Ostend to Istanbul: a chorus girl, a Jewish businessman, a journalist, a communist revolutionary, and others — their stories briefly crossing before separating again at different stations. The novel established Greene's territory: the seedy world of crime and politics, the moral complexity of people in transit, the city hotel as a site of moral danger.

Where to start

The Quiet American

Complete Stamboul Train Book List

  1. 1

    The Quiet American

    Graham Greene·1955·The essential Greene — his most politically serious novel and the one that most fully develops the concerns Stamboul Train establishes; read this first to understand Greene's range before the entertainments.
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  2. 2

    Stamboul Train

    Graham Greene·1932·The novel itself — the Orient Express from Ostend to Istanbul; Coral Musker, Mr. Savory, Mabel Warren, Czinner; Greene's first popular success.
    Buy
  3. 3

    Brighton Rock

    Graham Greene·1938·The essential companion in Greene's serious work — Pinkie, Ida, and Rose in Brighton; the Catholic thriller that established Greene's territory and the essential next step after Stamboul Train.
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  4. 4

    Murder on the Orient Express

    Agatha Christie·1934·Christie's most celebrated novel, also set on the Orient Express — published two years after Stamboul Train; the contrast between Christie's puzzle-box detective fiction and Greene's morally complex thriller shows the two possibilities for train-based crime fiction in the 1930s.
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  5. 5

    The Spy Who Came in from the Cold

    John le Carré·1963·Le Carré's breakthrough novel — the direct heir to Greene's entertainments in the British tradition of morally complex espionage fiction; the comparison shows what the next generation made of the territory Greene established in Stamboul Train.
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  6. 6

    Night Train to Lisbon

    Pascal Mercier·2004·Mercier's novel about a Swiss professor who follows a trail to Lisbon — the contemporary heir to the train-journey novel as a vehicle for self-discovery and the encounter with political violence; the most direct recent parallel to Stamboul Train's use of the long train journey as a moral and philosophical structure.
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  7. 7

    The 39 Steps

    John Buchan·1915·Buchan's thriller about Richard Hannay's flight from London to Scotland — the foundational British thriller and the predecessor to Greene's entertainments; the contrast between Buchan's gentleman-hero and Greene's morally compromised characters shows how the genre changed from the Edwardian to the interwar era.
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Stamboul Train — Frequently Asked Questions

What is Graham Greene's Stamboul Train about?

Stamboul Train (1932) follows a series of passengers on the Orient Express from Ostend to Istanbul: Coral Musker, a chorus girl; Mr. Savory, a successful novelist; Mabel Warren, a lesbian journalist; and Czinner, a hunted communist revolutionary. Their lives briefly intersect on the train before separating again, and the novel is organized around the question of what people in transit reveal about themselves.

Why did Graham Greene call his thrillers 'entertainments'?

Greene used the term 'entertainment' to distinguish his genre thrillers (Stamboul Train, A Gun for Sale, The Third Man, Our Man in Havana) from his more serious literary novels (The Power and the Glory, The Heart of the Matter, The Quiet American). He later regretted the distinction, acknowledging that the entertainments often engaged with the same moral concerns as the serious novels, and the division was eventually dropped.

Was Stamboul Train set on the real Orient Express?

Yes — Greene traveled on the Orient Express while researching the novel, and the train journey from Ostend to Istanbul was a real route. The novel's geography is accurate, and the stations where characters board or disembark correspond to real places on the route. Greene's direct experience of the journey gives the novel its texture of authentic observation.

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