Reading Order

Robinson Crusoe

Robinson Crusoe Reading Order

Robinson Crusoe (1719) by Daniel Defoe is the first English novel — or at least, it has a strong claim to being the founding text of the English novel tradition, the first time the form's key conventions (first-person narration, realistic detail, the illusion of autobiography, secular concerns rather than religious allegory) were assembled into a full-length work. The story is simple: a Yorkshire merchant's son ignores his father's advice, goes to sea, is shipwrecked, and spends twenty-eight years alone on an island near the mouth of the Orinoco River, building a life from the wreckage. The novel's power comes from its extraordinary concreteness — Defoe's accumulation of practical detail (how Crusoe builds a shelter, makes pottery, processes grain, deals with wild goats) is both a formal achievement and a philosophical argument about the relationship between labor and identity. Friday, the island man whom Crusoe rescues and enslaves, is the novel's most problematic element — the founding text of the English novel is also the founding text of the English colonial novel.

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Robinson Crusoe (1719)

Complete Robinson Crusoe Book List

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    Robinson Crusoe

    Daniel Defoe·1719
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Robinson Crusoe — Frequently Asked Questions

Is Robinson Crusoe the first novel in English?

Robinson Crusoe (1719) has a strong claim to the title, though the question is complicated by what you count as a novel. Samuel Richardson's Pamela (1740) and Clarissa (1748) are often cited as the first novels to develop the psychological realism that defines the form; but Defoe's earlier works (Robinson Crusoe, Moll Flanders, and others) have the form's characteristic first-person realist narration, secular subject matter, and full length. Ian Watt's The Rise of the Novel (1957), the classic study of the form's origins, identifies both Defoe and Richardson (along with Fielding) as the founders of the English novel, emphasizing different aspects of the form.

Is Friday a problematic character?

Yes — by contemporary standards, Friday is a deeply problematic character. He is presented as a 'savage' who is grateful to be enslaved by Crusoe, who teaches him English and Christianity and organizes his life around serving Crusoe. The name 'Friday' itself — given by Crusoe rather than being Friday's actual name — is a mark of his dehumanization. Friday's relationship with Crusoe has been read as an allegory of colonialism: the indigenous person rescued from cannibalism by the European, redeemed through labor and Christianity, and eternally grateful for his subordination. J.M. Coetzee's Foe (1986) is the most important critical response to Robinson Crusoe's colonial politics — a retelling that gives voice to Friday's perspective and to a woman narrator who is excluded from Defoe's novel.

How long is Robinson Crusoe stranded on the island?

Crusoe is on the island for twenty-eight years, two months, and nineteen days — Defoe's precision about the duration is characteristic of the novel's documentary realism. He arrives in 1659 and is rescued in 1686. He spends the first years entirely alone; Friday arrives in the later period, followed by other survivors and eventually by a mutinous English ship. The novel's sequel, The Farther Adventures of Robinson Crusoe (1719), published in the same year, follows Crusoe's return to the island and subsequent voyages — it is much less read than the original.

What inspired Robinson Crusoe?

The most direct inspiration was the story of Alexander Selkirk, a Scottish sailor who was marooned on the uninhabited island of Más a Tierra (now called Robinson Crusoe Island, after Defoe's novel) in the South Pacific from 1704 to 1709 at his own request — he had quarreled with his captain — and who was rescued by a privateering expedition and brought back to England. Selkirk's story was published in 1713 and was widely known. Defoe's innovation was to move the island to the Caribbean, to keep Crusoe there for twenty-eight years rather than four, and to develop the story's practical and psychological dimensions far beyond anything in the original account.

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