Reading Order

Fatelessness

Kertész's Fatelessness Reading Order

Imre Kertész's Fatelessness (Sorstalanság, 1975) — published as Fateless in one English translation and Fatelessness in another — is one of the most important Holocaust novels ever written and one of the strangest: narrated by Gyuri Köves, a fourteen-year-old Hungarian Jewish boy who is transported to Auschwitz and then Buchenwald without fully understanding what is happening to him, in a prose of deliberate flatness and observational precision that refuses conventional horror. Kertész wrote the novel between 1960 and 1973, drawing on his own experiences — he was deported at fourteen and survived Auschwitz, Buchenwald, and Zeitz — and his central formal decision was to narrate the experience without retrospective knowledge: Gyuri does not know what Auschwitz is when he arrives, does not fully understand the gas chambers, and narrates his experience with the curious detachment of a child who is making sense of things as they happen rather than as history has taught us to understand them. The result is profoundly disturbing precisely because it refuses to be disturbing in the expected ways: Gyuri's deadpan observations about the organization of camp life, his small pleasures and accommodations, convey the horror of normalization more effectively than any conventional account. Kertész won the Nobel Prize for Literature in 2002.

Where to start

Fatelessness

Complete Fatelessness Book List

  1. 1

    Fatelessness

    Imre Kertész·1975·Start here — Gyuri Köves in Auschwitz and Buchenwald, narrated with deliberate flatness, the Nobel citation, the most important Hungarian novel.
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  2. 2

    Kaddish for an Unborn Child

    Imre Kertész·1990·The companion novel — the narrator refuses to have a child, the Holocaust as inheritance, Kertész's most personal and most stylistically extreme novel.
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  3. 3

    The Failure

    Imre Kertész·1988·The second novel — a writer in communist Hungary, the impossibility of bearing witness, between the first and third Kertész novels.
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  4. 4

    Night

    Elie Wiesel·1960·The foundational survivor testimony — Wiesel in Auschwitz and Buchenwald, the same camps as Gyuri Köves, the conventional emotional witness to compare.
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  5. 5

    This Way for the Gas, Ladies and Gentlemen

    Tadeusz Borowski·1946·Borowski's Auschwitz stories — also narrated with a disturbing detachment, the other great literary survivor fiction to read alongside Kertész.
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Fatelessness — Frequently Asked Questions

Why does Gyuri in Fatelessness seem so calm about what is happening to him?

Kertész's most radical formal decision is to narrate the Holocaust without retrospective horror — Gyuri doesn't know what Auschwitz is when he arrives, doesn't understand the selection process for gas chambers, and makes sense of things only as they happen, with the limited knowledge a fourteen-year-old actually had. The calm is the point: it conveys the horror of how the camps normalized themselves as an experience, how even their victims could find small pleasures and routines within the catastrophe. The detachment is more disturbing than horror would be.

Is Fatelessness autobiographical?

Yes, closely. Kertész was deported from Budapest in 1944 at fourteen and survived Auschwitz, Buchenwald, and the labor camp at Zeitz before liberation in 1945. He worked as a journalist and translator in communist Hungary before the novel was published in 1975 — and initially ignored. It was rediscovered after 1989 and won the Nobel in 2002. Gyuri Köves is not Kertész in a simple sense — the novel is carefully constructed as fiction — but the biographical material is the foundation.

Why was Fatelessness initially ignored?

The novel was published in Hungary in 1975 under a communist government that had little interest in a story about a Jewish boy's experience in Nazi camps, and that preferred to narrativize the period in terms of communist resistance rather than Jewish victimhood. It was also formally strange — the flat, deliberate prose was read as poor writing rather than deliberate style. The novel was rediscovered after 1989, when Hungary opened its archives and its literary culture; its international reputation grew through the 1990s, culminating in the Nobel in 2002.

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