Reading Order
Crime and Punishment Reading Order
Crime and Punishment (1866) by Fyodor Dostoevsky is the novel that established Dostoevsky as the greatest psychological novelist in the Russian tradition — the story of Rodion Raskolnikov, a student in St. Petersburg who murders a pawnbroker and her sister and then spends the rest of the novel being destroyed by the psychological consequences of what he has done. Raskolnikov's theory — that certain exceptional individuals are permitted to transgress ordinary moral codes in the service of a greater purpose, as Napoleon did — is the novel's great intellectual provocation, and the progressive failure of that theory as Raskolnikov discovers he cannot live with his own actions is its devastating answer. The detective Porfiry Petrovich's psychological pursuit of Raskolnikov, and the contrasting figures of the prostitute Sonya and the nihilist Svidrigailov, make Crime and Punishment one of the most densely inhabited and morally complex novels in any language.
Where to start
Crime and Punishment (1866) — the complete novel; no prequel required. Available in multiple translations: Pevear and Volokhonsky is the most widely recommended for contemporary readers; the Oliver Ready (Penguin) translation is another excellent option
Complete Crime and Punishment Book List
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Crime and Punishment
Fyodor Dostoevsky·1866
Crime and Punishment — Frequently Asked Questions
What is Crime and Punishment about?
Crime and Punishment is about Rodion Raskolnikov, a brilliant but destitute student in St. Petersburg who murders a pawnbroker and her sister based on a theory he has developed: that extraordinary individuals (like Napoleon) have the right to transgress ordinary moral law in the service of a higher purpose. The murder he commits is meant to be a test of whether he is such an extraordinary individual. The novel then follows his psychological disintegration as he discovers he cannot bear the consequences of his act — the guilt, the paranoia, the inability to maintain the theory in the face of what he has actually done. The detective Porfiry Petrovich gradually closes in on him; the prostitute Sonya Marmeladova offers him the possibility of confession and redemption. The novel ends with Raskolnikov's confession and his sentence to eight years in Siberia — where, the epilogue suggests, his genuine transformation begins.
Is Crime and Punishment the best place to start reading Dostoevsky?
Crime and Punishment is the most common starting point and usually the right choice. It is shorter than The Brothers Karamazov (about half the length) and has a single protagonist whose psychological journey is easier to follow than the multiple-protagonist structure of the later novel. It introduces all the major Dostoevskian themes — guilt, redemption, intellectual pride versus Christian humility, the psychology of suffering — in their most concentrated form. Most readers who love Dostoevsky report that Crime and Punishment grabbed them immediately and made them want to read everything else. The alternative starting point is Notes from Underground (1864), which is even shorter and more concentrated, but its form (a sustained interior monologue by a bitter, self-aware narrator) is more unusual and some readers find it difficult to engage with.
Who is Porfiry Petrovich in Crime and Punishment?
Porfiry Petrovich is the investigating magistrate charged with investigating the murders, and one of the most remarkable detective figures in Western literature — he appears in only three scenes but dominates the novel's second half. Porfiry is a master of psychological observation who understands Raskolnikov's theory before Raskolnikov has articulated it to him, and whose interrogations are exercises in deliberate pressure: he provokes, retreats, appears confused, and gradually makes Raskolnikov feel that his psychological freedom is being enclosed. The cat-and-mouse between them has no equivalent in nineteenth-century fiction. Porfiry is not presented as Raskolnikov's moral superior (he is not religious) but as his intellectual match — the one person in the novel who fully understands what Raskolnikov did and why.
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