Reading Order
Cloudstreet Reading Order
Tim Winton's Cloudstreet (1991) is a standalone novel following two working-class Western Australian families — the Lambs and the Pickles — who are forced to share a large house in Perth from 1943 to 1963 after separate disasters leave each without a home. One of the great Australian novels, winner of the Miles Franklin Award, the Commonwealth Writers' Prize, and widely regarded as the quintessential portrait of postwar Perth.
Where to start
Cloudstreet
Complete Cloudstreet Book List
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Cloudstreet
Tim Winton·1991·The complete novel. Entirely standalone. - Buy
Shallows
OptionalTim Winton·1984·The town of Angelus and its struggle over whale hunting — Winton's second novel and the one that first showed his full range; the Western Australian coastal environment and the tension between tradition and change that characterize his mature work. - Buy
Dirt Music
OptionalTim Winton·2001·Georgie Jutland and Lu Fox in the pearling town of White Point — Winton's novel written after Cloudstreet; a love story set in the harsh Western Australian environment, the nearest in mode to Cloudstreet's intensity. - Buy
Breath
OptionalTim Winton·2008·Pikelet and Loonie learning to surf massive waves on the Western Australian coast — Winton's novel shortlisted for the Booker Prize; the most accessible starting point for new Winton readers who want something shorter than Cloudstreet.
Cloudstreet — Frequently Asked Questions
What is Cloudstreet about?
Cloudstreet follows two families — the Lambs and the Pickles — who share a large house at 1 Cloud Street in Perth, Western Australia, from the end of the Second World War to the early 1960s. The Lamb family arrives after their son Fish nearly drowns in a fishing accident and is left with the mind of a young child; the father Lester wins the house in a poker game and the family moves from the country to the city. The Pickles family arrives after similar disaster; the father Sam Pickles is a compulsive gambler who has lost his hand to a machinery accident and who owns the house. The two families occupy different floors and run a shop from the ground level; their two decades of cohabitation are the novel's subject. The novel follows the full cast of both families — Oriel and Lester Lamb and their children Quick, Fish, Hattie, Lon, and Red; Dolly and Sam Pickles and their children Rose and Ted — through the ordinary events of their lives: courtship, marriage, work, illness, grief, and the gradual discovery of what it means to live as a family and as a community.
Why is Cloudstreet considered a great Australian novel?
Cloudstreet is considered one of the great Australian novels for several interconnected reasons. Its prose is among the most distinctive in Australian fiction: dense, lyrical, grounded in the specific physical reality of Perth and the Southwest, and inflected with the rhythms of Australian vernacular speech in a way that feels entirely native. Its portrait of working-class Australian life — the Perth of the 1940s and 1950s, with its specific class tensions, its relationship to the land and the river, its relationship to the Aboriginal culture that European settlement has displaced — is the most fully realized in Australian fiction. Its emotional range is extraordinary: the novel moves between broad comic scenes and moments of genuine spiritual depth without strain, and its preoccupation with family — with what families do for and to each other — gives it a universality that its highly specific Australian setting does not diminish. Winton has said that he wanted to write a novel about ordinary Australians that treated them with the same seriousness and literary attention that the canonical tradition had reserved for extraordinary or historically significant people.
Who is Fish Lamb, and why is he important?
Fish Lamb — born Sam Lamb Jr., renamed Fish because he almost drowned — is the novel's central mystery and its spiritual center. Rescued from drowning as a teenager, he emerges with the mind of a young child but with a strange, persistent sense of inhabiting two worlds simultaneously: the ordinary world of the house and the family, and some other world that he can almost touch. Throughout the novel, Fish's condition is treated neither as a medical problem to be managed nor as a metaphor for innocence, but as a genuine spiritual state — a person who is simultaneously fully present and partially elsewhere. His perspective on the events of the novel has a quality of apprehension — of knowing what is coming — that is the closest the novel comes to magical realism. His final scene is one of the most celebrated passages in Australian fiction and gives the novel's twenty-year arc its full emotional meaning.
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