Reading Order

Castle of Otranto

The Castle of Otranto Reading Order

The Castle of Otranto (1764) by Horace Walpole is the founding text of Gothic fiction — the novel that invented the genre and established its essential ingredients: a medieval castle with secret passages and underground vaults, a tyrannical villain threatened by supernatural forces, a persecuted heroine, a rightful heir seeking his inheritance, animated statues, bleeding portraits, and gigantic supernatural hands. Walpole (the son of Prime Minister Robert Walpole and the builder of the Gothic Revival house Strawberry Hill at Twickenham) published the first edition under a pseudonym, claiming it was an Italian manuscript of the twelfth century discovered in a library in Naples; when it became a success he revealed his authorship in the second edition and wrote a preface defending the Gothic mode as a synthesis of ancient and modern romance — ancient in its supernatural machinery, modern in its character drawing. The novel is short (more novella than novel) and its prose is stiff by later standards, but its cultural impact was enormous: every Gothic novel from Ann Radcliffe through Matthew Lewis, Sheridan Le Fanu, and Bram Stoker is in Walpole's debt, and the genre he invented remains one of the most commercially vital in literary history.

Where to start

The Castle of Otranto (1764) — the Oxford World's Classics edition edited by W.S. Lewis and E.J. Clery (2014) is the standard scholarly text with the best introduction; the Penguin Classics edition edited by Michael Gamer is also excellent. Short and can be read in an afternoon; it rewards attention to how many Gothic conventions it establishes that later writers will develop.

Complete Castle of Otranto Book List

  1. 1

    The Castle of Otranto (Oxford World's Classics)

    Horace Walpole (ed. E.J. Clery)·2014·The scholarly standard edition — Clery's introduction is the best account of Walpole's invention of the Gothic mode, his pseudonymous first edition, and the cultural context of Gothic Revival architecture; includes the prefaces to both the first and second editions, which are essential for understanding Walpole's aesthetic programme.
    Buy
  2. 2

    The Mysteries of Udolpho

    Ann Radcliffe·1794·The Gothic novel that developed Walpole's invention into the first major popular genre — Radcliffe's four-volume novel (the longest and most influential Gothic novel of the 1790s) takes Walpole's castle setting, persecuted heroine, and atmospheric terror and expands them into a fully realized world; the essential development of Walpole's original.
    Buy
  3. 3

    The Old English Baron

    Clara Reeve·1778·The immediate successor to Otranto — Reeve's novel explicitly positions itself as a response to Walpole's, pruning the supernatural to what a 'reasonable' reader could accept and adding more historical verisimilitude; the two novels together show the first generic debate about how Gothic fiction should work.
    Buy
  4. 4

    The Monk

    Matthew Lewis·1796·The Gothic novel that took Walpole's supernatural machinery in the most extreme direction — where Radcliffe explained away her supernatural events rationally, Lewis embraced the diabolical without apology; The Monk is the most transgressive novel of the 1790s and the Gothic counterweight to Radcliffe's more restrained mode.
    Buy
  5. 5

    Northanger Abbey

    Jane Austen·1817·The Gothic parody that illuminates the genre by satirizing it — Austen's posthumously published novel follows Catherine Morland's disappointment when she discovers that the real Northanger Abbey contains none of Radcliffe's terrors; reading it alongside Otranto and Udolpho shows what Austen was parodying and why.
    Buy

Castle of Otranto — Frequently Asked Questions

What is The Castle of Otranto about?

The Castle of Otranto (1764) by Horace Walpole is the founding text of Gothic fiction. Manfred, the prince of Otranto, is threatened by a prophecy that his castle will pass to its rightful owner when its present owner becomes too large to inhabit it. After his son Conrad is crushed by a giant helmet on his wedding day, Manfred attempts to divorce his wife and marry the intended bride, Isabella, who flees through the castle's underground vaults. The novel features bleeding portraits, animated statues, supernatural visions, a persecuted heroine, and a villainous usurper — establishing the essential ingredients of the Gothic genre.

How did Walpole invent the Gothic novel?

Horace Walpole published The Castle of Otranto (1764) under a pseudonym, claiming it was a twelfth-century Italian manuscript — a framing device that allowed him to use supernatural machinery without having to defend it by the standards of realistic fiction. In his preface to the second edition (when he revealed his authorship), he articulated a defence of the Gothic mode as a synthesis of ancient romance (which used supernatural machinery freely) and modern novel (which focused on character and probability) — an uneasy synthesis that the next sixty years of Gothic fiction would negotiate in different ways. The genre he invented has never stopped being commercially vital.

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