Recommendations

Books Like My Struggle

Best books to read after My Struggle by Karl Ove Knausgård

My Struggle is one of the most extraordinary literary projects of the twenty-first century — a six-volume autobiographical novel that gives fictional form to Knausgård's actual life with unprecedented intimacy and scale. If the project's radical honesty and its portrait of the relationship between art and ordinary life moved you, these books share its concern with the authenticity of the autobiographical impulse, its interest in what it costs to write honestly about real people and real experience, and its willingness to follow consciousness wherever it leads.

  1. 1

    In Search of Lost Time

    by Marcel Proust

    The essential predecessor — Proust's seven-volume reconstruction of the past through involuntary memory; Knausgård acknowledged Proust as one of the central influences on My Struggle, and both are organized around the same fundamental question: can an entire life become the material for a literary work, and what does it cost to write such a work? The comparison shows the two poles of the autobiographical novel: Proust reconstructing an aristocratic past through memory, Knausgård transcribing a suburban Norwegian present through obsessive contemporaneous attention

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  2. 2

    Speak, Memory

    by Vladimir Nabokov

    Nabokov's autobiographical memoir — the most artistically self-conscious of the major literary autobiographies, organized around the relationship between memory, pattern, and beauty; where Knausgård writes with a radical democratic honesty that refuses to make his life beautiful, Nabokov writes with the conviction that art can and must redeem the past by finding the pattern in it

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  3. 3

    The World of Yesterday

    by Stefan Zweig

    Zweig's memoir of European culture — the essential companion in the tradition of the autobiography as elegy; where Knausgård mourns a specific father and a specific childhood, Zweig mourns an entire civilization; both are organized around the conviction that what has been lost can be recovered by the precision and honesty of the account

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  4. 4

    Boyhood

    by J.M. Coetzee

    The first of Coetzee's autrebiographical trilogy — a third-person autobiographical account of his South African childhood; the most formally interesting parallel to My Struggle in the tradition of the serious literary autobiography; where Knausgård uses the first person with maximum directness, Coetzee uses the third person as a way of maintaining aesthetic distance from autobiographical material

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  5. 5

    The Liars' Club

    by Mary Karr

    Karr's memoir of her chaotic Texas childhood — the most celebrated American literary memoir of the last thirty years and a direct parallel to My Struggle in the tradition of the memoir organized around a difficult family and an unusual childhood; where Knausgård covers his entire life, Karr focuses on childhood; both are organized around the question of what you owe the truth when writing about people who are still alive

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  6. 6

    Septology

    by Jon Fosse

    The essential Norwegian contemporary companion — Fosse's seven-part novel about an elderly painter; the comparison between Knausgård's radical autobiographical directness and Fosse's slow, meditative, anonymizing style shows the two poles of what contemporary Norwegian literary fiction is doing; both are among the most ambitious literary projects in contemporary Scandinavian writing

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  7. 7

    The Remains of the Day

    by Kazuo Ishiguro

    Ishiguro's novel about a butler's gradual recognition of how his life has been shaped by self-deception — the most important parallel to My Struggle in the tradition of the fiction of retrospective self-examination; where Knausgård's self-examination is direct and contemporaneous, Ishiguro's is indirect and retrospective

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  8. 8

    Austerlitz

    by W.G. Sebald

    Sebald's novel about a man recovering a suppressed past — the comparison in the tradition of the serious literary project about the relationship between personal identity and personal history; where Knausgård transcribes his life as he lives it, Sebald excavates a life that has been deliberately suppressed; both are organized around the question of what happens to a person's identity when they lose contact with their own past

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