Reading Order

The Underground Railroad Reading Order

Colson Whitehead's The Underground Railroad (2016) is a standalone novel following Cora, a slave on a Georgia cotton plantation who escapes on a literal underground railroad — a network of actual trains running through tunnels beneath the South — and travels through a sequence of alternative-history American states, each representing a different historical response to the question of what America should do about its Black citizens. Winner of the Pulitzer Prize and the National Book Award.

Where to start

The Underground Railroad

Complete The Underground Railroad Book List

  1. 1

    The Underground Railroad

    Colson Whitehead·2016·The complete novel. Entirely standalone.
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  2. The Nickel Boys

    Optional
    Colson Whitehead·2019·Elwood Curtis, a Black teenager in 1960s Florida sent to a reform school where systematic abuse has been institutionalized behind the facade of rehabilitation — Whitehead's second Pulitzer Prize winner; shares The Underground Railroad's preoccupation with the specific institutions that American society has built to oppress Black people, but in a realistic mode rather than a fantastical one.
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  3. Zone One

    Optional
    Colson Whitehead·2011·A zombie apocalypse sweeping Manhattan told from the perspective of a sweeper assigned to clear buildings — Whitehead's genre experiment before The Underground Railroad; for readers interested in understanding the range of his work, though very different in mode from the historical fiction of the Pulitzer Prize winners.
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The Underground Railroad — Frequently Asked Questions

Why is the underground railroad literal in the novel?

Whitehead's central formal decision — to make the Underground Railroad a literal network of trains and tunnels rather than the metaphorical network of safe houses and conductors that the historical Underground Railroad was — allows him to use the geography and mechanics of railroad travel as a structural device for the novel's episodic plot. Each stop on Cora's journey is a different American state, and each state has been given a different (fictional, alternative-history) social policy toward Black people: one has a eugenicist sterilization program, one has a kind of apartheid, one appears to be a relative haven, one is engaged in active genocide. The literal railroad allows Whitehead to build this episodic structure while also providing a visual image — the trains running beneath the landscape of the American South — for the subterranean, invisible nature of Black resistance and survival. The decision also makes explicit the metaphorical content of the historical Underground Railroad: by making the escape route literal, Whitehead makes visible what the metaphor was always about.

How does The Underground Railroad engage with American history?

The Underground Railroad is not a realistic historical novel but an allegorical one: it uses a fantastical premise (a literal underground railroad) and an alternative history (states with invented, composite social policies) to survey the range of ways that American society has responded to the presence of Black people — not just in the antebellum South but across the full history of American racism from slavery through Reconstruction through Jim Crow to the present. Each state that Cora passes through represents a different version of that range: from the open brutality of plantation slavery to the medical experimentation of eugenics to the carefully managed 'freedom' of a state that provides housing and employment to Black people while secretly planning to eliminate them. Whitehead has said that he wanted to write a novel that was not a historical document but a book about how race has worked in America across time — a kind of compression of the full history of American racism into a single journey.

What is Cora's relationship to resistance and survival in the novel?

Cora is not a simple hero of resistance — she is a woman who survives, who makes the decisions available to her in each situation she encounters, and whose survival is not always dignified or uncompromised. The novel is careful about the limits of individual agency within a system of total oppression: Cora's escapes are enabled by networks of people who take enormous risks to help her (the conductors and stationmasters of the underground railroad), and her survival is as much a function of luck and of other people's courage as it is of her own will. At the same time, Whitehead insists on Cora's full interiority — she is not a symbol of Black resilience or a vehicle for white guilt, but a person with a specific history, specific griefs and angers, and specific desires for a life that the novel does not allow her to have cleanly. The Randall plantation where she begins is given a full social geography, and the garden of turnips that she tends there is the novel's emblem of her claim to possession and self-determination.

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