Reading Order

The Reader

Schlink's The Reader Reading Order

Bernhard Schlink's The Reader (1995) — originally Der Vorleser, published in Germany in 1995 and translated into English in 1997, becoming the first German novel to top the New York Times bestseller list — is the most widely read German novel about the Nazi period since Günter Grass's The Tin Drum. Its narrator, Michael Berg, describes two relationships with a tram conductor named Hanna Schmitz: first, when he is fifteen and she is thirty-six, an intense affair in which she asks him to read aloud to her before they make love; second, when he is a young law student and she appears as a defendant in a war crimes trial, having served as an SS guard who selected prisoners for the gas chambers. The novel's central revelation — which the reader understands before Michael does — involves Hanna's literacy, and the question it raises: whether the explanation it provides can also function as mitigation. The Reader is a novel about the relationship between the postwar German generation and its parents' complicity in the Holocaust, about the way that love (or the memory of love) can contaminate moral judgment, and about what it means to feel for a person whose actions cannot be forgiven.

Where to start

The Reader

Complete The Reader Book List

  1. 1

    The Reader

    Bernhard Schlink·1995·Start here — Michael and Hanna, the affair and the trial, the most widely read German novel about Nazi complicity.
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  2. 2

    Homecoming

    Bernhard Schlink·2006·Schlink's follow-up novel — a son searching for his father, German identity, the same moral complexity.
    Buy
  3. 3

    The Tin Drum

    Günter Grass·1959·The great German war novel — Oskar Matzerath and his tin drum, the Nazi period in Danzig through a grotesque and satirical lens.
    Buy
  4. 4

    Suite Française

    Irène Némirovsky·2004·Two novellas about the German occupation of France, written as it happened and discovered posthumously — a different relationship to the same history.
    Buy
  5. 5

    The Zone of Interest

    Martin Amis·2014·A comedy about the Auschwitz command — Amis's most daring novel, the same moral territory as The Reader approached through black satire.
    Buy

The Reader — Frequently Asked Questions

What is the moral question at the heart of The Reader?

The novel raises the question of whether understanding a perpetrator's psychology — their background, their condition, the circumstances that shaped them — can or should affect our moral judgment of their actions. Michael's love for Hanna, and the revelation of her secret, put him in the position of feeling sympathy for someone whose acts he cannot excuse. Schlink doesn't resolve this: the novel leaves the reader with the same uncomfortable knowledge that Michael has — understanding without absolution.

Is The Reader more about the Holocaust or about sexuality?

Both, inseparably. The affair is structured so that the sexual relationship between a fifteen-year-old boy and a thirty-six-year-old woman is experienced by the reader largely from Michael's perspective, where it is formative and tender rather than predatory. Schlink is deliberate about this: the novel implicates the reader in Michael's sympathy and then reveals what that sympathy has been extended toward. The discomfort of having cared for Hanna is the novel's central mechanism.

How was The Reader received in Germany?

Divisively. Many German critics and intellectuals found the novel's emotional structure — the sympathy it generates for an SS guard — dangerous or manipulative; Marcel Reich-Ranicki called it 'a soap opera.' Others found it precisely the right way to address the question of the postwar generation's relationship to their parents' generation. Outside Germany, it was embraced as a humanizing and morally serious account of how ordinary people committed atrocities and how the next generation might understand that fact.

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