Reading Order
The AmericanThe American Reading Order
The American (1877) by Henry James is the author's first major international novel and the work in which he first articulated the theme that would define his career — the encounter between American optimism and European complexity. Christopher Newman, a wealthy, good-natured, self-made American businessman, arrives in Paris determined to 'have the best of everything' and decides that what he wants is a beautiful, accomplished wife from the European aristocracy. He falls in love with Claire de Cintré, a French widow from the Bellegarde family, and her family accepts his courtship — until, for reasons Newman cannot fully understand, the Bellegarde family withdraws their approval and Claire enters a Carmelite convent. The novel is organized around Newman's gradual comprehension that he has encountered something beyond his understanding: an aristocratic social logic that no amount of money can overcome.
Where to start
The American (1877) — the complete novel; no prequel required
Complete The American Book List
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The American
Henry James·1877
The American — Frequently Asked Questions
Is The American part of a series?
No. The American is a self-contained novel with no sequels. It is, however, the first full statement of what James called the 'international theme' — the encounter between American innocence and European complexity — that he would develop throughout his career in novels like Daisy Miller (1878), The Portrait of a Lady (1881), The Bostonians (1886), The Wings of the Dove (1902), The Ambassadors (1903), and The Golden Bowl (1904). The American is the essential starting point for readers who want to follow James's development of this preoccupation from its beginning.
What is Christopher Newman like as a character?
Christopher Newman is one of James's most appealing protagonists — a genuinely good-natured, generous, intelligent man who has made a large fortune in California through energy and practical intelligence, and who arrives in Europe without pretension or affectation, genuinely open to what he finds. He is also, as James depicts him, profoundly ignorant of the social codes he is navigating: he cannot read the Bellegarde family's politeness as conditional, cannot understand what Claire's entry into a convent means, and cannot comprehend that the world he has entered operates by rules he was never taught. His goodness is real, and so is his limitation — James makes both equally clear.
How does The American compare to The Portrait of a Lady?
The American (1877) is the immediate predecessor to The Portrait of a Lady (1881), and the two novels handle the same international theme from opposite angles: Newman is a man, rich, confident, and baffled by Europe, while Isabel Archer is a woman, idealistic, and destroyed by the Europe she romanticizes. The American ends without complete disaster — Newman chooses not to use his leverage over the Bellegarde family — while The Portrait of a Lady ends with one of the most devastating renunciations in nineteenth-century fiction. Reading The American first gives you James's international theme in its simplest and most accessible form.
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