Reading Order
A Tale of a Tub Reading Order
A Tale of a Tub (1704) by Jonathan Swift is one of the most savage and formally innovative satirical works in English literature — a prose piece that purports to be written by a mad modern author who digresses so wildly that the digressions overwhelm the main text, satirizing simultaneously the hack writers of Grub Street, the theological controversies between Catholicism, Anglicanism, and Dissent (represented as three brothers, Peter, Martin, and Jack, who inherit a coat from their father and proceed to ruin it in different ways), and the vanity of all learned projects. The book is accompanied by The Battle of the Books (a prose satire on the Ancients-versus-Moderns controversy) and A Discourse Concerning the Mechanical Operation of the Spirit. Swift wrote it in the late 1690s, published it anonymously in 1704, and it was so radical in its apparent mockery of religion that Swift's enemies cited it against him throughout his career — he was never given an English bishopric, and many blamed the Tale. The formal joke at the book's center is that the satire has become so out of control that even the satirist cannot control it: the footnotes multiply, the digressions proliferate, and by the end the modern author has forgotten the allegory of the three brothers entirely. It is the most demanding of Swift's prose works and the one that rewards closest reading most richly.
Where to start
A Tale of a Tub (1704) — the Oxford World's Classics edition edited by Marcus Walsh (2010) is the standard scholarly text and has the best introduction to the allegory and formal complexity. Read with The Battle of the Books in the same volume. Prior familiarity with the religious controversies of seventeenth-century England helps but is not required; Walsh's introduction provides the necessary context.
Complete A Tale of a Tub Book List
- 1Buy
A Tale of a Tub and Other Works (Oxford World's Classics)
Jonathan Swift (ed. Marcus Walsh)·2010·The authoritative modern edition — includes A Tale of a Tub, The Battle of the Books, and A Discourse Concerning the Mechanical Operation of the Spirit; Walsh's introduction is the best available guide to the allegory and its contexts. - 2Buy
Jonathan Swift: A Portrait
Victoria Glendinning·1998·The most readable modern biography — situates A Tale of a Tub in Swift's career and in the political and religious context of the 1690s; essential for understanding why the book was so dangerous. - 3Buy
Swift and the English Language
Ann Cline Kelly·1988·Scholarly study of Swift's prose style and its relationship to the linguistic debates of the period — the Tale is the central text; very useful for readers who want to understand the formal satire on modern writing. - 4Buy
Gulliver's Travels
Jonathan Swift·1726·The companion work — after reading the Tale, Gulliver's Travels shows Swift's satirical method at full maturity and in a more accessible form; the two together constitute Swift's greatest prose achievements. - 5Buy
The Prose Works of Jonathan Swift (11 vols.)
Jonathan Swift (ed. Herbert Davis)·1939·The standard scholarly complete prose works — for serious Swift study; the individual Oxford World's Classics volumes are more practical for most readers.
A Tale of a Tub — Frequently Asked Questions
What is A Tale of a Tub about?
A Tale of a Tub (1704) by Jonathan Swift is a prose satire with two interlocking targets: an allegory of the three main branches of Western Christianity (Catholicism as Peter, Anglicanism as Martin, and Dissent as Jack, three brothers who inherit a coat from their father and ruin it in different ways), and a parody of modern hack writing, in which a digression-obsessed author buries the allegory under footnotes, prefaces, digressions, and self-congratulatory padding. The book attacks theological pride, the corruption of learning, and the vanity of all modern projects simultaneously.
Is A Tale of a Tub anti-religious?
Swift was himself an Anglican clergyman and the book's target is religious enthusiasm and corruption, not religion itself — but the satire is so ferocious and its method so radical (the 'mad' narrator seems to undermine all institutional religion) that many contemporaries, and many of Swift's enemies throughout his career, read it as irreligious. Swift insisted it was not; his enemies disagreed. The question of whether A Tale of a Tub is genuinely satirizing religion from within or attacking it from without is one of the most contested questions in Swift scholarship.
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