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Pere GoriotPère Goriot Reading Order
Père Goriot (1835) by Honoré de Balzac is one of the founding texts of the French realist tradition — a novel set in a Parisian boarding house in 1819 that follows two characters whose fates Balzac interweaves: Eugène de Rastignac, a provincial law student who arrives in Paris determined to make his way in society, and Père Goriot, an elderly retired pasta merchant who has sacrificed his entire fortune and his health to give his daughters the lives they wanted. The novel introduces both characters who recur throughout La Comédie Humaine (Balzac's vast cycle of interconnected novels) and the figure of Vautrin, an escaped convict who tries to recruit Rastignac into a criminal scheme. The novel ends with one of the most famous last lines in French literature — Rastignac standing over Goriot's pauper's grave and throwing down his defiance to Parisian society: 'À nous deux maintenant!' ('Now it's between the two of us!'). Balzac's realism — his meticulous attention to social detail, to the mechanisms of money and ambition, to the way Paris works — was the foundation on which Flaubert, Zola, and the entire subsequent tradition of European realism was built.
Where to start
Père Goriot (1835)
Complete Pere Goriot Book List
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Père Goriot
Honoré de Balzac·1835
Pere Goriot — Frequently Asked Questions
Do I need to have read other Balzac novels before Père Goriot?
No — Père Goriot works as a completely self-contained novel and is widely considered the best entry point into La Comédie Humaine. In fact, Balzac wrote it as a kind of hub novel for his cycle: Rastignac and Vautrin, introduced here, appear throughout the subsequent volumes. Reading Père Goriot first means that when you encounter these characters in Cousin Bette or Lost Illusions or other Comédie Humaine novels, you already know who they are and where they came from.
What does Balzac mean by 'realism'?
Balzac's realism is partly a matter of social documentation — his novels are filled with precise information about prices, rents, careers, social hierarchies, and the mechanics of Parisian life in the Restoration and July Monarchy periods. But it is also a matter of moral seriousness: Balzac believed that the social world had its own laws as rigorous as the laws of nature, that money and ambition operated according to discoverable principles, and that the novelist's job was to discover and dramatize those principles. His epigraph to La Comédie Humaine is that he wanted to do for French society what naturalists had done for the animal kingdom — classify and analyze the species that inhabit it.
What is La Comédie Humaine and how big is it?
La Comédie Humaine is Balzac's retrospective title for his interconnected cycle of approximately 90 completed novels and stories, plus 46 unfinished projects. The cycle is organized into three sections: Études de Mœurs (Studies of Manners, the largest section, organized by setting — private life, provincial life, Parisian life, political life, military life, country life), Études Philosophiques (Philosophical Studies, exploring the relationship between thought and action), and Études Analytiques (Analytical Studies, the most abstract section). The interconnection works through recurring characters: approximately 2,000 named characters appear in more than one text. Most readers approach the cycle selectively — Père Goriot, Cousin Bette, Lost Illusions, and Eugénie Grandet are the most widely read entry points.
How does Père Goriot end?
Père Goriot dies in the boarding house, essentially of a broken heart — his daughters, whom he has given everything, do not come to see him on his deathbed. They are too occupied with their social engagements. He dies knowing they will not come, alternating between bitter anger at them and sentimental love for them. His funeral is paid for by Rastignac (who has almost no money) and attended only by Rastignac and two anonymous mourners. The daughters send their empty carriages — the carriages come, but the daughters do not. After the funeral, Rastignac climbs the hill of Père-Lachaise, looks out over Paris, and issues his famous challenge to the city: 'À nous deux maintenant!' — then goes to dine with one of Goriot's daughters.
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