Reading Order
Mont-Oriol Reading Order
Mont-Oriol (1887) by Guy de Maupassant is Maupassant's third novel and the most satirical — a story about the development of a spa resort in the Auvergne, in which the arrival of a group of Parisian visitors triggers the commercial transformation of a humble village and the seduction, abandonment, and recovery of Christiane Andermatt, the wife of one of the speculators. Mont-Oriol combines a social comedy about Second Empire and early Third Republic speculation (Andermatt is a Jewish banker developing the spa resort, and the novel contains Maupassant's ambivalent treatment of Jewish financial culture) with a psychological study of the summer love affair between Christiane and Paul Brétigny that ends in her pregnancy and abandonment. The novel is remarkable for its treatment of the spa as a social institution — a place where class barriers are temporarily suspended, where illness provides a pretext for idleness and flirtation, and where the combination of mineral water, boredom, and social proximity produces the predictable result that all Maupassant's spas produce.
Where to start
Mont-Oriol (1887) — the novel is moderate length (about 300 pages) and accessible; various English translations exist. Read after Bel-Ami and Une vie to understand Maupassant's range — the satirical comedy of Mont-Oriol is different from the psychological tragedy of Fort comme la mort or the sociological analysis of Bel-Ami.
Complete Mont-Oriol Book List
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Mont-Oriol
Guy de Maupassant·1887·Third of Maupassant's six novels. The Auvergne setting (the volcanic landscape around Riom, which Maupassant visited in 1886) is rendered with the same precision as his Normandy landscape descriptions; the novel's treatment of spa culture anticipates the social comedies of Henry James and the English Edwardian novelists.
Mont-Oriol — Frequently Asked Questions
How does Mont-Oriol treat the theme of speculation?
Mont-Oriol (1887) treats the theme of speculation — the transformation of the natural landscape into a commercial property for financial gain — as one of the defining activities of the Third Republic bourgeoisie and as a moral corruption that is both satirized and accepted as inevitable. Andermatt the banker arrives in the Auvergne village of Enval, discovers the mineral spring, and immediately begins the process of converting a natural resource into a commercial product: the spring becomes the Spa of Mont-Oriol, the peasant landscape is transformed into a resort, and the local people become employees and dependents of the commercial enterprise. Maupassant's attitude toward this transformation is characteristically ambivalent: he clearly sees the destructiveness of the process (the natural landscape is ruined, the peasants are dispossessed, the social fabric of the village is destroyed), but he also sees it as the natural and inevitable operation of capitalist energy — something as unstoppable as the natural forces it exploits. The character of Andermatt himself is drawn with the same combination of satirical precision and reluctant admiration that characterizes Maupassant's treatment of all forms of energy and intelligence: he is clearly morally limited (his treatment of his wife Christiane is callous), but he is also genuinely competent, and his competence is not something Maupassant can bring himself to simply condemn.
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