Reading Order
Mateo FalconeMateo Falcone Reading Order
Mateo Falcone (1829) by Prosper Mérimée is his first major story and the one that established the method he would develop in Carmen, Colomba, and La Vénus d'Ille — the story of a Corsican bandit-farmer, Mateo Falcone, whose ten-year-old son Fortunato betrays a fugitive outlaw to the gendarmes for a silver watch, and whom Mateo then kills when he discovers what Fortunato has done. The story is short (under 20 pages), told in a style of extreme economy and coldness, and refuses all moral commentary: Mateo's action is presented as the logical consequence of the Corsican honor code, neither condemned nor endorsed by the narrator, who has adopted the position of an anthropologist describing a culture from outside. Mateo Falcone established Mérimée's fundamental narrative stance — the cold ethnographic observer who reports without judging, whose refusal of sentiment is itself a kind of moral position — and it is the work in which all his subsequent fiction is in miniature. It is also one of the most anthologized stories in the French tradition and, until recently, one of the most read in French schools.
Where to start
Start with Mateo Falcone — it is very short (under 20 pages) and the essential foundation for understanding Mérimée's method. Carmen is the full development of the same ethnographic method at novella length.
Complete Mateo Falcone Book List
- 1Buy
Mateo Falcone
Prosper Mérimée·1829·Available in French in all major collections of Mérimée's fiction; English translation in various anthologies of nineteenth-century French short fiction. - Buy
Carmen
OptionalProsper Mérimée·1845·The fullest development of the method Mateo Falcone establishes — the ethnographic observer, the Corsican/Gypsy honor code, the cold narration of violence and desire.
Mateo Falcone — Frequently Asked Questions
What should I read if I liked Mateo Falcone by Mérimée?
Readers who respond to Mateo Falcone's cold narrative precision and its refusal to moralize will find the most direct companions in Mérimée's own Carmen (1845) and Colomba (1840) for the full development of the method, and in Maupassant's stories for the most important successor in the French short story tradition that Mateo Falcone helped establish. For the Corsican milieu specifically, Stendhal's chroniques italiennes and his own Corsican travel notes are the essential companions in the French Romantic engagement with Mediterranean honor cultures.
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