Reading Order
LokisLokis Reading Order
Lokis (1869) by Prosper Mérimée is the last and most elaborate of his fantastic tales — a story set in Lithuania, narrated by a Lutheran pastor who has been hired to translate the Bible into Lithuanian and who stays as a guest at the castle of the young Count Szeynczyn. The Count is brilliant, charming, and intermittently strange: his mother is confined to a room in the castle, having been rendered permanently insane by a traumatic event before his birth. As the narrator gradually understands, the Count believes himself to be the son of a bear — his mother was attacked by a bear at the time of his conception, and the Count's behavior throughout the story is interpretable either as the eccentricity of an aristocrat or as the behavior of a man who is literally half-animal. The story ends with the Count's murder of his bride on their wedding night, in a manner that is explicitly described as a bear attack. Lokis is Mérimée's most sustained exercise in maintaining the fantastic ambiguity: the narrator is scrupulously rational and cannot confirm the supernatural explanation, and the story refuses to resolve the question of whether the Count is a werewolf, a man who believes himself to be a werewolf, or simply a violent lunatic.
Where to start
Start with La Vénus d'Ille for the most perfect and economical of Mérimée's fantastic tales, then read Lokis for the most elaborate and the most geographically remote.
Complete Lokis Book List
- 1Buy
Lokis
Prosper Mérimée·1869·Available in French in the Gallimard Pléiade edition of Mérimée's complete works and in various anthologies of French fantastic fiction; English translation in various anthologies of nineteenth-century European fantastic fiction. - Buy
La Vénus d'Ille
OptionalProsper Mérimée·1837·The essential companion fantastic tale — the most famous and most perfectly controlled of Mérimée's excursions into the supernatural.
Lokis — Frequently Asked Questions
What should I read if I liked Lokis by Mérimée?
Readers who respond to Lokis's elaborately maintained ambiguity between the supernatural and the naturalistic will find the most direct companions in Mérimée's own La Vénus d'Ille (1837) for the essential predecessor, in Maupassant's Le Horla (1887) for the most important successor in the French tradition of the fantastic tale, and in the Eastern European fantastic tradition: Potocki's Manuscrit trouvé à Saragosse (1805) for the most elaborate of the Continental fantastic novels and the tradition in which Lokis's Lithuanian setting participates.
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