Reading Order

Les Martyrs Reading Order

Les Martyrs (1809) by François-René de Chateaubriand is the large-scale Christian epic in prose that Chateaubriand spent years preparing — the work for which the Itinéraire de Paris à Jérusalem (1811) provided the research material, and which was intended as the supreme demonstration of his argument in the Génie du christianisme that Christian literature could surpass classical epic. Set in the third century during the persecution of Christians under the Roman Emperor Diocletian, Les Martyrs follows Eudore, a young Greek Christian soldier, whose love for the pagan priestess Cymodocée ends in both their conversion to Christianity and their martyrdom in the Roman arena. Chateaubriand modeled the structure on Virgil's Aeneid and Fénelon's Télémaque, using the supernatural machinery of Christian theology (angels, demons) in place of the pagan gods, and attempted to show that the Christian epic could achieve the formal grandeur of classical epic while adding the emotional depth that Christianity uniquely provided. The work was enormously successful when it appeared: Chateaubriand's descriptive prose — the description of the Athenian landscape, the Roman games, the persecution of the Christians — was recognized immediately as some of the finest in the language, and the work established Chateaubriand as the undisputed master of descriptive prose in French Romanticism.

Where to start

Les Martyrs (1809) — the complete work is moderate length (about 400 pages) and more accessible than the Mémoires or the Génie du christianisme. The Pléiade edition is the standard French text; Victorian English translations exist in reprints. Read after or alongside Atala and René to understand how the short prose poems relate to Chateaubriand's larger epic ambitions; read the Itinéraire de Paris à Jérusalem to understand the research journey he undertook in preparation for Les Martyrs.

Complete Les Martyrs Book List

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    Les Martyrs

    François-René de Chateaubriand·1809·Published 1809 after years of revision. Chateaubriand undertook the journey to Greece, the Levant, and North Africa in 1806–07 specifically to research the historical and geographical background for Les Martyrs; the account of that journey was published as the Itinéraire de Paris à Jérusalem (1811).
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Les Martyrs — Frequently Asked Questions

Is Les Martyrs a novel or an epic?

Les Martyrs (1809) is best described as an epic in prose — Chateaubriand's own term was 'épopée en prose' — and the generic ambiguity is deliberate. Chateaubriand modeled it formally on Virgil's Aeneid (twelve books, a hero who travels through the classical world, supernatural interventions, set-piece battles, a love plot that must be resolved for the hero's higher destiny) and on Fénelon's Télémaque (1699), the previous great French prose epic, which had also used the classical epic structure for moral and religious instruction. But Les Martyrs tells a Christian story rather than a pagan one, replacing the Olympian gods with Christian angels and demons, and ending not in the founding of a city but in martyrdom — the founding of the Church through blood. Chateaubriand's argument was that this Christian epic proved his thesis in the Génie du christianisme: that Christian theology provides richer and more morally serious material for great literature than classical mythology. The descriptive passages — the Greek landscapes, the Roman arena, the Christian catacombs — are often read separately as examples of Romantic descriptive prose, but the complete work is constructed as a formal epic. Modern readers usually encounter it through selections rather than complete reading.

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