Reading Order

Les Chants du crépuscule Reading Order

Les Chants du crépuscule (Songs of Twilight, 1835) by Victor Hugo is the most politically engaged of the four lyric collections of the 1830s — written in the uncertain political twilight of the July Monarchy's early years, when Hugo was not yet committed to any party and the outcome of the 1830 Revolution remained ambiguous. The title is both meteorological and political: the poems are written in the twilight between the old world and the new, between the Restoration that was swept away in 1830 and the stable republic or monarchy that had not yet emerged from the ruins. The collection contains some of Hugo's most celebrated political lyrics, including the poems on Napoleon and on the republican tradition, alongside the private lyric work that continues the vein of Les Feuilles d'automne. The tension between the public and private voices — the poet of political vision and the poet of domestic feeling — is productive rather than resolved, and gives the collection its particular energy.

Where to start

Les Chants du crépuscule should be read after Les Feuilles d'automne (1831) and before Les Voix intérieures (1837) to follow the evolution of Hugo's lyric voice across the decade. The political poems are most easily understood with some knowledge of the July Monarchy context (1830-1848).

Complete Les Chants du crépuscule Book List

  1. 1

    Les Chants du crépuscule

    Victor Hugo·1835·Available in French in the Pléiade Œuvres poétiques complètes and in standalone Gallimard Poésie volumes. Less commonly found in standalone editions than the Feuilles d'automne.
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  2. Les Feuilles d'automne

    Optional
    Victor Hugo·1831·The preceding collection — the private lyric foundation that makes the political ambitions of the Chants du crépuscule legible.
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Les Chants du crépuscule — Frequently Asked Questions

How does Les Chants du crépuscule relate to Hugo's political evolution?

Les Chants du crépuscule (1835) was written during the period in which Hugo was moving from the depoliticized Romanticism of the Restoration years toward the political engagement that would ultimately make him one of the most important political figures of the nineteenth century. In 1835 he is not yet a committed republican; he is attracted to the Napoleonic legend (his father was a Napoleonic general), sympathetic to the July Monarchy without being uncritically committed to it, and drawn to the idea of the poet as the voice of the age without being sure what the age demands. The political poems of the Chants du crépuscule — 'Napoléon II,' the poems on the 1830 Revolution — are poems of uncertainty rather than commitment. The collection's value is precisely this uncertainty: it documents the moment before Hugo's political positions hardened, when the twilight between the old world and the new was still genuinely unresolved.

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