Reading Order

The Wall

Le Mur Reading Order

Le Mur (The Wall, 1939) by Jean-Paul Sartre is a collection of five short stories published the year after La Nausée, and together they constitute Sartre's most concentrated demonstration of what existentialist fiction looks like in practice. The title story is the most famous: three men condemned to death by a Nationalist firing squad during the Spanish Civil War spend a night in a cell, and the story is about how the knowledge of imminent death transforms the experience of being alive — the body becomes grotesque, the past becomes meaningless, and ordinary human concerns (a woman's jealousy, a political cause) seem absurd. The protagonist, Pablo Ibbieta, is given the chance to save himself by revealing the hiding place of a fugitive he knows; he gives a false location as a joke, and the joke accidentally turns out to be true, and he is freed. The collection's other stories — 'Intimité,' 'La Chambre,' 'Érostrate,' 'L'Enfance d'un chef' — are equally rigorous studies of bad faith, of people who refuse to acknowledge their freedom and construct elaborate self-deceiving explanations for their choices. 'L'Enfance d'un chef,' the longest and most complex, follows the formation of a fascist — showing, with great psychological precision, how the refusal to take responsibility for one's identity leads to the embrace of a group identity that makes all decisions in advance.

Where to start

Le Mur (The Wall)

Complete The Wall Book List

  1. 1

    Le Mur

    Jean-Paul Sartre·1939·Start here — all five stories, beginning with 'Le Mur' (The Wall) and ending with 'L'Enfance d'un chef'.
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  2. 2

    La Nausée

    Jean-Paul Sartre·1938·The novel published the year before — the philosophical framework that Le Mur dramatises in shorter, more varied forms.
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  3. 3

    Huis clos

    Jean-Paul Sartre·1944·The play: the same existentialist concerns in a theatrical structure — three characters in a room, unable to escape each other's gaze.
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  4. 4

    L'Existentialisme est un humanisme

    Jean-Paul Sartre·1946·Sartre's accessible lecture explaining the existentialist position — for readers who want the philosophy stated directly.
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The Wall — Frequently Asked Questions

What is 'bad faith' in Sartre's short stories?

Bad faith (mauvaise foi) is Sartre's term for the self-deception by which people deny their own freedom — pretending that their choices are determined by their nature, their circumstances, or their role, rather than acknowledging that they are always free to choose otherwise. In Le Mur's stories, bad faith takes many forms: in 'Intimité,' Lulu tells herself that her passivity in her marriage is not a choice but a situation, refusing to see that she stays because some part of her prefers safety to love; in 'La Chambre,' Ève is in bad faith about what she is doing when she stays with her mad husband; in 'L'Enfance d'un chef,' Lucien constructs an antisemitic identity for himself precisely to avoid the vertigo of having no natural self. For Sartre, bad faith is not an unusual pathology but the default condition of human consciousness — the effort to pretend that we are things (with fixed natures) rather than consciousnesses (with radical freedom). The short story form was ideal for Sartre because each story could present a single case of bad faith in its specific texture.

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