Reading Order

The Lady with the Dog

Chekhov The Lady with the Dog Reading Order

Anton Chekhov's 'The Lady with the Dog' (1899) is widely considered the greatest short story in the Russian language and a strong candidate for the greatest short story ever written. In fewer than eight thousand words, Chekhov traces the transformation of a casual resort affair — Gurov, a bored married Moscow banker, seducing Anna, a young married woman in Yalta — into the only real love either has ever felt, an experience that their existing lives cannot accommodate and that therefore cannot end and cannot be resolved. The story contains no dramatic events, no revelation, no rescue, and no catastrophe; it ends in the middle of the problem that is its subject, because that is where life actually is. It is the model for twentieth-century short fiction from James Joyce to Alice Munro and represents the highest achievement of the form Chekhov essentially invented.

Where to start

The Lady with the Dog

Complete The Lady with the Dog Book List

  1. 1

    The Lady with the Dog and Other Stories

    Anton Chekhov·1899·The late masterpiece alongside The Bishop, The Student, and Ward No. 6.
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  2. 2

    The Essential Tales of Chekhov

    Anton Chekhov·1999·Richard Ford's selection — thirteen essential stories including The Lady with the Dog.
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  3. 3

    Uncle Vanya

    Anton Chekhov·1899·The same year's play — the same trapped love, the same inability to escape.
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  4. 4

    The Cherry Orchard

    Anton Chekhov·1904·Chekhov's final play — the world the stories inhabit on stage.
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  5. 5

    Dubliners

    James Joyce·1914·Joyce's collection — consciously Chekhovian, the epiphany replacing the drama.
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  6. 6

    Lives of Girls and Women

    Alice Munro·1971·Munro's Chekhov-descended fiction — the whole life compressed into the telling detail.
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The Lady with the Dog — Frequently Asked Questions

Why is The Lady with the Dog considered so great?

Because it does what all great fiction does — changes what you see — with a minimum of means. There is no plot in the conventional sense, no resolution, no moral. There is only the experience of two people discovering what love is, too late to do anything about it, and the reader discovering it with them.

Is the story part of a collection?

It appeared in the magazine Russkaya Mysl in 1899. It is most often read alongside other late Chekhov stories — The Bishop, The Student, Ward No. 6 — which all share the same compression and emotional weight.

Why does the story end where it does?

Because Chekhov's theory of the short story was that the ending should be a window onto something vast, not a door that closes. The last lines — "And it seemed as though in a little while the solution would be found, and then a new and splendid life would begin; and it was clear to both of them that they had still a long, long road before them" — are deliberately, painfully unresolved.

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