Reading Order
The VagabondLa Vagabonde Reading Order
La Vagabonde (The Vagabond, 1910) by Colette is a semiautobiographical novel narrated by Renée Néré, a music-hall mime and dancer who has rebuilt her life after a painful divorce from her dissolute husband Taillandy. Renée earns her own living, values her solitude, and has no desire to remarry — until she meets Maxime Dufferein-Chautel, a wealthy admirer who falls seriously in love with her. The novel is one of the first sustained fictional explorations of what female independence actually feels like from the inside: the freedom is real but also lonely, the pleasure in self-sufficiency is genuine but also partly a wound, and Renée's eventual decision (which the sequel L'Entrave begins to reopen) is a deliberate choice about what kind of life a woman can have. Colette draws on her own years as a music-hall performer to make the world of the provincial touring show — the smells, the exhaustion, the companionship, the tiny dressing rooms — entirely vivid. La Vagabonde is a short, intensely concentrated novel and one of the foundational texts of modern French women's fiction.
Where to start
La Vagabonde
Complete The Vagabond Book List
- 1Buy
La Vagabonde
Colette·1910·Start here — the central novel about Renée Néré and the question of freedom versus love. - 2Buy
L'Entrave
Colette·1913·The direct sequel: Renée at a crossroads, revisiting the choice the first novel made. - 3Buy
La Retraite sentimentale
Colette·1907·Earlier Colette, following Annie after the end of her first marriage — read as a companion. - 4Buy
Duo
Colette·1934·Later Colette: a marriage under strain during a week in the country, told with the same cold clarity.
The Vagabond — Frequently Asked Questions
Is La Vagabonde autobiographical?
La Vagabonde draws heavily on Colette's own experience during her decade as a music-hall mime after her divorce from the writer Willy (Henry Gauthier-Villars). Renée Néré is not Colette (the ages differ, the specific circumstances differ, and the first-person narration has significant fictional shaping), but the milieu — the provincial touring shows, the music-hall performers, the camaraderie of women artists who earn their own living — is drawn from direct experience. Colette performed in music hall from around 1906 to 1912, and the novel was published in 1910 while she was still performing. The sequel L'Entrave (1913) follows Renée's story further but with an ending that surprised many readers who had read La Vagabonde as a manifesto for independence.
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