Reading Order
La Maison Tellier Reading Order
La Maison Tellier (1881) by Guy de Maupassant is the collection that established his mastery of the short story, a gathering of tales organized around the title story (a brothel whose habitués find themselves locked out one evening while the proprietor and her staff attend a first communion in the country) and including some of his most celebrated early work. The volume introduced Maupassant to readers who had known him only as a protégé of Flaubert and as the author of 'Boule de Suif' (which had appeared in Les Soirées de Médan the previous year): La Maison Tellier showed the full range of his talent, from the sardonic social comedy of the title story to the erotic precision of 'Partie de campagne' (a seduction at a picnic on the Seine that would become Renoir's great film) to the ghostly atmospherics of 'Sur l'eau' (on the water, waiting in a fog for the anchor that has caught something below). Maupassant was twenty-eight when the volume appeared and already fully formed: the economy, the precision, the refusal of sentimentality, the capacity for sudden tonal shifts between comedy and horror, between sympathy and cruelty, are all present from the first. The collection is also a social document of extraordinary precision: the world of Normandy farms, Seine-side guinguettes, Paris bourgeois apartments, and Rouen professional life that La Maison Tellier maps is the same world that Flaubert mapped in Madame Bovary, but rendered with a lightness and economy that is entirely Maupassant's own.
Where to start
Start with the title story, 'La Maison Tellier,' then 'Partie de campagne,' then 'Sur l'eau' — these three stories show the full range of Maupassant's early talent. The rest of the collection can be read in any order. For readers who want to follow Maupassant's development, the collection belongs after 'Boule de Suif' (1880) and before the novel Une vie (1883).
Complete La Maison Tellier Book List
- 1Buy
La Maison Tellier
Guy de Maupassant·1881·The complete collection of sixteen stories. The best English edition is the Penguin Classics Complete Short Stories or the Oxford World's Classics Selected Short Stories; for French readers the Gallimard Folio. - 2Buy
Boule de Suif
Guy de Maupassant·1880·Maupassant's first great story, published in Les Soirées de Médan — the essential predecessor of La Maison Tellier and the story that made his reputation. - 3Buy
Une vie
Guy de Maupassant·1883·Maupassant's first novel, published two years after La Maison Tellier and showing the development from the concentrated short story form to the sustained social novel. - 4Buy
Miss Harriet
Guy de Maupassant·1884·Maupassant's third short story collection and the one that shows the development from La Maison Tellier's relatively cheerful world to the darker, more systematically pessimistic vision of his mature work. - 5Buy
Contes du jour et de la nuit
Guy de Maupassant·1885·The collection that includes 'La Parure' ('The Necklace'), Maupassant's most famous story — shows the full development of his technique from the La Maison Tellier foundations.
La Maison Tellier — Frequently Asked Questions
What should I read if I liked La Maison Tellier by Maupassant?
Readers who respond to La Maison Tellier will want to follow Maupassant's short story development through Miss Harriet (1884) and Contes du jour et de la nuit (1885, which includes 'La Parure'). For the Norman and Seine-side social world, the novel Une vie (1883) and Bel-Ami (1885) are essential. For comparable short story collections, Dubliners by Joyce is the most important twentieth-century successor, and Chekhov's stories (particularly the tales collected in The Kiss and Other Stories and Ward No. 6) are the essential Russian parallel.
Is Partie de campagne based on La Maison Tellier?
'Partie de campagne' is a story in La Maison Tellier (1881) by Maupassant, not the other way around. Jean Renoir made it into a short film in 1936 (Partie de campagne), shot on location on the Loing river at Montigny-sur-Loing and unfinished at the time of release — it is generally considered one of the most perfect short films ever made and one of Renoir's finest works, a direct translation of Maupassant's erotic precision and nostalgic melancholy into cinema.
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