Reading Order

Jane Eyre Reading Order

Jane Eyre (1847) by Charlotte Brontë, published under the pseudonym Currer Bell, is a first-person Bildungsroman about Jane Eyre, an orphaned girl who grows up in the household of her aunt Mrs. Reed, survives the harsh conditions of Lowood Institution (a charity school), becomes a governess at Thornfield Hall, falls in love with her employer Edward Rochester, and discovers that Rochester has a secret that prevents their marriage. The novel is one of the foundational texts of English literature, combining Gothic romance, social criticism, and a sustained first-person account of female interiority that was without precedent in English fiction. Its famous opening — 'There was no possibility of taking a walk that day' — leads into one of the most compelling and complete portraits of a woman's inner life in nineteenth-century fiction. Jane Eyre is simultaneously a love story, a novel about class and social mobility, a novel about institutional cruelty to children, a Gothic novel with a madwoman in the attic, and a novel about the relationship between female independence and female desire.

Where to start

Jane Eyre (1847)

Complete Jane Eyre Book List

  1. 1

    Jane Eyre

    Charlotte Brontë·1847
    Buy

Jane Eyre — Frequently Asked Questions

Who is Bertha Mason and what is her significance?

Bertha Mason is Edward Rochester's first wife, whom he has kept locked in the attic of Thornfield Hall for years. Rochester describes her as mad (she is, in the novel's terminology, insane) and as a Creole woman from Jamaica whose family history includes hereditary madness. It is the revelation of Bertha's existence, produced by her brother at the moment of Jane and Rochester's wedding, that prevents the marriage and drives Jane to leave Thornfield. Bertha is the novel's most discussed and contested figure: in the postcolonial feminist criticism that followed Sandra Gilbert and Susan Gubar's The Madwoman in the Attic (1979), Bertha has been read as the repressed double of Jane herself — the woman who has already paid the price that Jane risks paying. In Jean Rhys's Wide Sargasso Sea (1966), Bertha (renamed Antoinette Cosway) becomes the protagonist of her own prequel novel that gives her a voice and a perspective.

Is Jane Eyre a feminist novel?

Jane Eyre is one of the founding texts of what would later be called feminist fiction, but in a complicated and contested way. The novel insists on Jane's interiority, her independence, her refusal to compromise her moral standards for love or economic security, and her ability to earn her own living and resist what she experiences as Rochester's attempts to keep her in a subordinate position. But it also, in the end, is organized around Jane's love for Rochester and her desire to marry him, and the novel's resolution — Rochester blinded and broken, Jane returning to him from a position of financial independence — has been read both as a feminist reversal of the power dynamic and as a fantasy in which female independence is achieved only so that it can be voluntarily surrendered. The novel inaugurated a debate about its own feminist politics that has continued for a hundred and seventy years.

How does Jane Eyre relate to Wide Sargasso Sea?

Wide Sargasso Sea (1966) by Jean Rhys is a prequel to Jane Eyre set in Jamaica and England in the years before Jane Eyre begins. Rhys retells the story from the perspective of Bertha Mason, who is here given the name Antoinette Cosway — a white Creole Jamaican woman whose marriage to Rochester, Rhys implies, was partly predatory: Rochester married her for her money and, when her Creole identity became a source of shame to him in England, confined her and erased her identity. Wide Sargasso Sea is one of the most important postcolonial texts of the twentieth century and is widely taught alongside Jane Eyre as a response to the imperial and racial assumptions that Jane Eyre contains without acknowledging.

What is the significance of 'Reader, I married him'?

'Reader, I married him' is the opening sentence of the chapter in Jane Eyre in which Jane narrates her marriage to Rochester, and it is one of the most famous sentences in English fiction. Its significance is formal as well as thematic: it is one of the most direct addresses to the reader in the novel (Charlotte Brontë regularly uses 'reader' as a form of address), it announces a resolution to the novel's central romantic question in advance, and it reverses the typical power dynamic of marriage in Victorian fiction by making Jane — who narrates her own story — the subject of the sentence rather than the object of Rochester's choice. The sentence has been quoted and analysed thousands of times and has given its shape to the broader debate about female agency in the Victorian novel.

Monthly Newsletter

Never miss a big release

Get the most anticipated upcoming books delivered to your inbox once a month — no spam, no filler.

Monthly only. Unsubscribe anytime.

Book links are Amazon affiliate links. As an Amazon Associate, BookReleaseRadar earns from qualifying purchases at no extra cost to you.