Reading Order
Frère et Sœur Reading Order
Frère et Sœur (Brother and Sister, 1842) by Alfred de Musset is the most moving of his prose novellas — a story of two orphaned young people, Gaspard and Marguerite, who grow up together in poverty, are separated, and reunite years later when Gaspard is dying; the reunion reveals the depth of the bond between them and raises (with great delicacy) the question of whether their feeling for each other has always been something more than sibling affection. The story is written with extreme economy and restraint — Musset says very little explicitly and trusts the reader to understand from what is not said — and it has the concentrated emotional power of the best of his dramatic work. It is less ironic, less comic, and less self-referential than most of what Musset wrote; it is simply and directly about the capacity of human beings for deep, enduring, and ambiguous attachment. The story is now one of the least-read of Musset's works but is regarded by French critics as one of his finest achievements in any genre.
Where to start
Frère et Sœur is short (under 60 pages) and should be read in one sitting. Read it after the comedies and dramas to experience the full range of Musset's register — the restraint and emotional directness of Frère et Sœur is very different from the wit and irony of the plays.
Complete Frère et Sœur Book List
- 1Buy
Frère et Sœur
Alfred de Musset·1842·Available in French in collections of Musset's prose (Nouvelles, GF Flammarion, or Gallimard). Rarely translated separately into English. - Buy
Les Nuits
OptionalAlfred de Musset·1840·The lyric poems written just before Frère et Sœur — the emotional world of loss and reunion that the story explores is continuous with the Nuits.
Frère et Sœur — Frequently Asked Questions
What makes Frère et Sœur unusual in Musset's work?
Frère et Sœur is unusual in Musset's work for its restraint and its emotional directness. Most of Musset's major work is characterized by wit, irony, self-consciousness, and a certain defensive quality — the characters (and the author) protect themselves from full emotional exposure through performance, masks, and the maintenance of distance. The comedies show this most clearly: the wit of Fantasio and the Proverbes, the analytical self-dissection of the Confession, the ironic digressions of Namouna — all of these are strategies for approaching emotion without fully committing to it. Frère et Sœur abandons these strategies. It is told in a straightforwardly realist mode, it does not ironize its emotional content, and the relationship between Gaspard and Marguerite is presented without the defensive self-commentary that characterizes the rest of Musset's work. The result is a story that many readers find more directly moving than anything else Musset wrote — precisely because the defenses are down.
Monthly Newsletter
Never miss a big release
Get the most anticipated upcoming books delivered to your inbox once a month — no spam, no filler.
Monthly only. Unsubscribe anytime.
Book links are Amazon affiliate links. As an Amazon Associate, BookReleaseRadar earns from qualifying purchases at no extra cost to you.