Reading Order
Jacques le fatalisteJacques le fataliste et son maître Reading Order
Jacques le fataliste et son maître (Jacques the Fatalist and His Master, written c. 1771–1778, published 1796) by Denis Diderot is the most experimental novel in the French 18th century — a reflexive narrative in which a valet named Jacques and his unnamed master travel on a road that is never named, toward a destination that is never reached, while Jacques tells the story of his loves (interrupted by every possible narrative mishap) and the narrator constantly breaks frame to address the reader, question the conventions of novel-writing, and refuse to resolve the plot. The novel is in constant dialogue with Sterne's Tristram Shandy (1759–1767), which Diderot admired and adapted, and with the philosophical problem that gives Jacques his character: Jacques is a determinist (his captain taught him that everything is written on the Great Scroll of Destiny) but behaves as if he had free will, while his master behaves as if he were master but is actually controlled by Jacques's narrative power. The central embedded story — the story of Mme de La Pommeraye's revenge — is one of the great novellas in the French tradition, inserted in a novel that repeatedly draws attention to its own artificiality as a way of questioning the reality that narrative claims to represent. Jacques le fataliste was known only in manuscript and in the pages of the Correspondance littéraire (Grimm's manuscript journal for foreign courts) until its posthumous publication in 1796.
Where to start
Read Jacques le fataliste after Le Neveu de Rameau — both are dialogues that refuse resolution, but Jacques is longer, more narrative, and more formally experimental. Read Sterne's Tristram Shandy (1759–1767) first if possible — Diderot is in constant explicit dialogue with Sterne and the French novel is partly a translation and partly a response to the English one. The episode of Mme de La Pommeraye can be read independently as a novella and has been adapted by Robert Bresson (Les Dames du Bois de Boulogne, 1945).
Complete Jacques le fataliste Book List
- 1Buy
Jacques le fataliste et son maître
Denis Diderot·1796·The experimental novel — Jacques and his master on the road; the Great Scroll of Destiny; the story of Mme de La Pommeraye; the reflexive narrative that demolishes novelistic convention while using it - 2Buy
Le Neveu de Rameau
Denis Diderot·1805·The companion dialogue — the nephew's cynical intelligence is the dramatic counterpart of Jacques's determinism; both dialogues refuse comfortable resolution; the essential Diderot pairing - 3Buy
The Life and Opinions of Tristram Shandy, Gentleman
Laurence Sterne·1767·The explicit model — Diderot is in constant dialogue with Sterne; Jacques le fataliste borrows the digressive narrative, the reflexive address to the reader, and the formal games; reading Sterne first makes the Diderot conversation audible - 4Buy
La Religieuse
Denis Diderot·1796·The companion novel — Suzanne Simonin's account of convent life; the anti-clerical novel that takes the conventional form Jacques demolishes; reading both gives the full picture of Diderot's novelistic range - 5Buy
Don Quichotte
Miguel de Cervantes·1615·The ultimate ancestor — Cervantes's reflexive novel about a man who confuses fiction with reality is the grandfather of all the formal games in Jacques le fataliste; Diderot is Cervantes's most self-conscious 18th-century heir
Jacques le fataliste — Frequently Asked Questions
What is the 'Great Scroll of Destiny' in Jacques le fataliste?
Jacques's captain told him that everything is written on the Great Scroll of Destiny — a metaphor for universal determinism; Jacques uses it as his justification for everything that happens; but the narrative itself constantly undermines determinism by allowing the narrator to change what happens, exposing the 'Great Scroll' as a narrative fiction.
Who is Mme de La Pommeraye?
Mme de La Pommeraye is the central figure of the embedded novella — a woman who takes revenge on the Marquis des Arcis, who has tired of her, by finding a mother and daughter working as prostitutes, having them pass as respectable nobility, getting the Marquis to marry the daughter, and then revealing the truth; it is one of the great plots of revenge in French literature.
Why is Jacques le fataliste considered a postmodern novel before its time?
Jacques le fataliste constantly draws attention to its own artificiality — the narrator addresses the reader directly, refuses to provide expected information, offers multiple possible versions of events, and questions whether the story is 'true'; the reflexive demolition of novelistic convention that postmodernism will systematize in the 20th century is anticipated here in 1771.
What is the relation between Jacques and his master?
Jacques is formally the servant but actually controls the conversation — he is the narrator and withholds the continuation of his story as a form of power over his master; the master is formally the authority but is actually dependent on Jacques for entertainment, direction, and narrative pleasure; the servant/master reversal is the philosophical joke of the novel.
How does Diderot use the narrator in Jacques le fataliste?
The narrator of Jacques le fataliste is a character in the novel — he addresses the reader directly, explains that he has the power to make characters do whatever he wants, offers the reader choices, and occasionally refuses to tell what happened; the narrator's self-exposure is the formal mechanism through which Diderot questions the illusion of narrative realism.
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