Reading Order
DegreesDegrés Reading Order
Degrés (Degrees, 1960) by Michel Butor is his most formally ambitious and demanding work — the novel that took the Nouveau Roman to its conceptual extreme and that Butor has described as the most difficult task he ever set himself as a writer. A teacher named Pierre Vernier decides to write an exhaustive description of a single hour of school: one class, in one form, at one moment in October 1954. He begins by describing what he himself sees from the front of the classroom; then he tries to include what his nephew Henri, sitting in the class, sees; then the perspectives of the other students, their families, their lives outside the school. The attempt grows beyond any single consciousness: Vernier recruits another teacher, his nephew's uncle Michelet, to help carry the project, and the narrative voice shifts between them as the task of complete description expands to include the history of everything the students have learned, everything Vernier has taught, the entire intellectual formation of a generation. The novel's formal argument is that a genuinely complete description of any moment in time is impossible — that as you try to include more and more context, the context expands without limit, and the project destroys both itself and (in the novel) its author. Degrés is deeply demanding, but it is also the purest and most consequential statement of the Nouveau Roman's argument about what it would mean to describe reality completely.
Where to start
Degrés
Complete Degrees Book List
- 1Buy
Degrés
Michel Butor·1960·Start here if you want the most radical Butor — read La Modification first for the easier entry into the Butor method. - 2Buy
La Modification
Michel Butor·1957·The recommended starting point — the Prix Renaudot winner, the second-person train journey, and the most widely read Butor. - 3Buy
L'Emploi du temps
Michel Butor·1956·The formal middle ground — more complex than La Modification, less extreme than Degrés; the natural second Butor novel to read. - 4Buy
Les Fruits d'or
Nathalie Sarraute·1963·The companion Nouveau Roman novel about the limits of complete description — Sarraute's novel about the reception of a novel shares Degrés's interest in what happens when you try to describe a collective cultural act from the inside.
Degrees — Frequently Asked Questions
Why does the project in Degrés destroy its author?
Pierre Vernier's project in Degrés is the attempt to write a complete description of one hour of school — which would require, as he discovers, describing not just what he sees but what every other person in the room sees, which requires describing their history, which requires describing the history of everyone who shaped them, and so on, in an expanding circle of context that in principle has no limit. The novel's formal argument is that this expansion is not merely practically difficult but logically impossible: a complete description of any moment would require a text as large as the universe it describes, and the attempt to approach that completeness consumes more of the describer than it produces. Vernier delegates the task to his colleague Michelet, who takes over the narration but also begins to suffer from the same overwhelming pressure of inclusion. By the novel's end, the project has broken Vernier — not through any single failure but through the accumulated strain of trying to hold too many perspectives simultaneously. Butor has described Degrés as a novel about the impossibility of the omniscient narrator: the third-person narrator who knows everything is a formal lie, and Degrés is the demonstration of what would happen if you tried to make that lie true.
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