Reading Order

Breath, Eyes, Memory Reading Order

Edwidge Danticat's Breath, Eyes, Memory (1994) is a standalone debut novel following Sophie Caco, who grows up in rural Haiti raised by her aunt, is sent to New York at twelve to join her mother Martine, and discovers that the trauma her mother has been carrying from Haiti — a rape that conceived Sophie — has been embedded in Sophie's own body through the testing rituals her mother performs. An Oprah Book Club selection and the novel that brought Haitian literature to a wide American readership.

Where to start

Breath, Eyes, Memory

Complete Breath, Eyes, Memory Book List

  1. 1

    Breath, Eyes, Memory

    Edwidge Danticat·1994·The complete novel. Entirely standalone.
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  2. The Dew Breaker

    Optional
    Edwidge Danticat·2004·Nine linked stories organized around a Haitian torturer living in Brooklyn — Danticat's most formally inventive work; the companion to Breath, Eyes, Memory in its engagement with political violence and the Haitian diaspora in Brooklyn; where Breath, Eyes, Memory is about the intergenerational transmission of personal trauma, The Dew Breaker is about the intergenerational transmission of political violence.
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  3. Krik? Krak!

    Optional
    Edwidge Danticat·1995·Nine stories about Haitian women under the Duvalier dictatorship, the boat people, and the New York diaspora — Danticat's debut story collection; the companion to Breath, Eyes, Memory in its portrait of Haitian women's experience across the same historical period and its engagement with storytelling as a form of survival.
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  4. The Farming of Bones

    Optional
    Edwidge Danticat·1998·Amabelle Desir, a Haitian woman living in the Dominican Republic, surviving the 1937 Parsley Massacre — Danticat's historical novel; the most formally ambitious of her early work and the one that most directly engages with the political history of the Caribbean; recommended after Breath, Eyes, Memory for readers who want more of Danticat's range.
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Breath, Eyes, Memory — Frequently Asked Questions

What is the testing ritual in Breath, Eyes, Memory?

The novel's most discussed and most painful element is the practice of 'testing' — virginity testing through digital examination — that Martine, Sophie's mother, performs on Sophie throughout her adolescence. The practice is presented in the novel as a real Haitian cultural practice (though scholars have debated its historical prevalence) passed down through families as a method of ensuring girls' 'purity' for marriage. In the novel, the testing has a specifically terrible irony: Martine was raped, and she perpetuates on her daughter a practice that is supposed to protect daughters from the violation she herself suffered. Sophie's response — she breaks her own hymen with a pestle to make the testing impossible — is one of the novel's most harrowing scenes and is understood in the novel as a form of self-mutilation that carries its own long-term psychological cost. The testing is the novel's central image of how trauma is transmitted from one generation to the next through the body of a mother who is trying to protect her daughter and who is perpetuating her own damage in the process.

Why is Haiti important in Breath, Eyes, Memory?

Haiti in Breath, Eyes, Memory is both a literal setting and a symbolic one: the lush, impoverished Haitian countryside where Sophie grows up is described with love and specificity, and the novel insists on Haiti's beauty and its culture alongside its poverty and its political violence. At the same time, Haiti in the novel is the site of the trauma that Martine carries and cannot leave behind: she was raped by a Tonton Macoute, a member of the Duvalier dictatorship's paramilitary force, and the rape produced Sophie; the political history of Haiti is thus literally embedded in Sophie's body. The novel's structure — Sophie in Haiti, Sophie in New York, Sophie returning to Haiti — traces the impossibility of simply leaving Haiti behind: the trauma that Martine brought with her from Haiti is present in New York in Martine's nightmares, in her relationship with Sophie, and eventually in Sophie's own psychology. For Danticat, Haiti is always present in the diaspora, not as a place to return to but as a history that cannot be escaped.

How does Breath, Eyes, Memory engage with Haitian storytelling tradition?

The title of Danticat's second book, Krik? Krak!, refers to the traditional call and response of Haitian storytelling: 'Krik?' asks 'Do you want a story?', and 'Krak!' answers 'Yes, tell us.' This tradition of oral storytelling — which Danticat has described as one of her deepest influences — is present throughout Breath, Eyes, Memory in the way that knowledge is transmitted between generations through story and through the body. The novel's great-grandmother, Ifé, is a storyteller who uses stories to transmit wisdom and history; the 'breath, eyes, memory' of the title refers to the parts of the body through which stories are received and remembered. The novel's engagement with the testing ritual is also an engagement with a tradition of embodied knowledge — practices that carry meaning precisely because they are done rather than spoken — and Sophie's rejection of the testing is partly a rejection of this form of knowledge and partly a beginning of her effort to understand and reinterpret it on her own terms.

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