Reading Order

Barchester Towers

Barchester Towers Reading Order

Barchester Towers (1857) by Anthony Trollope is the second and most beloved of the Barsetshire novels — a comedy of ecclesiastical politics in which the arrival of the new Bishop Proudie and his formidable wife and the appointment of the unctuous Obadiah Slope as domestic chaplain disrupts the comfortable Tory Anglican world of Barchester. The novel is organized around two parallel romantic plots (the widowed Eleanor Bold attracts three suitors — Slope, the Italian impresario Signor Neroni, and the Reverend Francis Arabin — while Mr. Harding's daughter is placed between the Proudie/Slope faction and the Grantly/old Barchester faction) and around the showdown between the progressive evangelicalism of Slope and Mrs. Proudie and the conservative High Church traditions of Archdeacon Grantly. Barchester Towers is Trollope's most perfectly constructed novel — the plot mechanics are elegant, the comedy of ecclesiastical manners is sustained throughout, and the characters are among his most memorable.

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Barchester Towers (1857)

Complete Barchester Towers Book List

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    Barchester Towers

    Anthony Trollope·1857
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Barchester Towers — Frequently Asked Questions

Do I need to read The Warden before Barchester Towers?

You don't need to, but it helps. Barchester Towers begins with the death of Bishop Grantly and the events that follow from it — events that presuppose knowledge of The Warden's characters and situation. Most readers who start with Barchester Towers find it immediately accessible, but they often go back and read The Warden afterward and find it enriches the experience. The Warden is short (about 200 pages) and introduces Mr. Harding, whose character is clearer and warmer in the context of The Warden's story.

Who is Obadiah Slope, and what is wrong with him?

Obadiah Slope is Bishop Proudie's chaplain — ambitious, unctuous, evangelical, and physically repellent to almost every character in the novel (his hands are 'clammy' and his breath is objectionable). He represents a type of pushy ecclesiastical ambition that Trollope clearly despised: Slope combines genuine religious fervor with worldly calculation in a way that makes his religious expressions seem permanently contaminated by self-interest. He courts Eleanor Bold for her money while pursuing the Widow Signora Neroni for other reasons, and his eventual ejection from Barchester is one of the most satisfying moments in Victorian comedy.

Is the 'Signora' a real character?

Madeline Vesey Neroni (née Stanhope), the Signora, is one of Trollope's most unusual inventions — an invalid woman who cannot walk (injured in unclear circumstances by her Italian husband) who reclines on a sofa and defeats every man who encounters her with her beauty and wit. She is the novel's most unconventional figure: unlike every other woman in Barchester Towers, she has no interest in marriage, children, or the domestic world, and her power over men (including Slope and Arabin) is purely a product of her wit and beauty exercised with complete detachment. She is one of the few Victorian female characters who seem genuinely outside the conventions the novel is otherwise comfortable with.

What is the Barchester Towers ending?

Eleanor Bold marries Francis Arabin, the new Professor of Divinity who has been brought to Barchester to reinforce the High Church position against Slope's evangelical challenge. Mr. Slope is dismissed and leaves Barchester. Mrs. Proudie triumphs over Slope but is established as the permanent dominant force in the diocese — Bishop Proudie's long suffering continues. Archdeacon Grantly's position is strengthened. The novel ends with the famous passage in which Trollope addresses the reader directly about the conventions of ending: 'Is it not a pity that people who are so good at goodbyes should be so awkward at it when the occasion really comes?'

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