Recommendations

Books Like No Longer Human

Best books to read after No Longer Human by Osamu Dazai

No Longer Human is one of the most widely read and most disturbing confessional novels in world literature — Yōzō's memoir of spending his life performing the role of human being without genuine understanding of or connection with others. If the novel's devastating honesty and its portrait of fundamental alienation moved you, these books share its concern with the consciousness that cannot fit into ordinary social life, its interest in what it feels like to inhabit a self that doesn't work, and its willingness to describe self-destruction from the inside.

  1. 1

    The Setting Sun

    by Osamu Dazai

    The essential companion — the decline of an aristocratic Japanese family in postwar Japan; slightly lighter in tone than No Longer Human but addressing the same themes of dissolution and the impossibility of belonging to the new postwar world; essential for readers who want more Dazai after No Longer Human

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  2. 2

    Notes from Underground

    by Fyodor Dostoevsky

    The essential predecessor in the tradition of the confessional first person who cannot fit into ordinary social life — the Underground Man's magnificent self-contradictory account of his own consciousness; Dazai was deeply influenced by Dostoevsky, and No Longer Human is a Japanese reimagining of the Underground Man's predicament in the context of twentieth-century Japan

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  3. 3

    The Stranger

    by Albert Camus

    The essential existentialist parallel — Meursault's radical detachment from the emotions that social life expects of him; where Dazai's Yōzō performs emotions he doesn't feel to avoid detection, Camus's Meursault is simply unable to perform the emotions that are expected of him; both are organized around the person who is fundamentally outside the social consensus about what a human being feels

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  4. 4

    Kokoro

    by Natsume Sōseki

    The essential Meiji-era predecessor in the Japanese tradition of the alienated intellectual who cannot survive in his world — Sōseki's Sensei; where No Longer Human is organized around fundamental self-alienation (Yōzō has never understood human beings), Kokoro is organized around the alienation produced by a specific moral failure; together they trace the genealogy of the alienated Japanese intellectual in modern fiction

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  5. 5

    Steppenwolf

    by Hermann Hesse

    Hesse's novel about Harry Haller's inability to live by the available social identities — the essential German parallel to No Longer Human's portrait of a consciousness that cannot fit into ordinary life; where Dazai's Yōzō has never understood human beings and drinks to cover his incomprehension, Hesse's Haller understands human beings too well and suffers from his own multiplicity

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  6. 6

    Snow Country

    by Yasunari Kawabata

    The essential aesthetic counterpart in postwar Japanese fiction — Kawabata's beauty versus Dazai's despair; reading No Longer Human and Snow Country together gives the two poles of what Japanese literary fiction made of the postwar experience: Dazai's self-destructive honesty and Kawabata's aestheticizing melancholy

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  7. 7

    The Bell Jar

    by Sylvia Plath

    Plath's novel about Esther Greenwood's breakdown and hospitalization — the essential American parallel to No Longer Human in the tradition of the literary account of mental illness and the inability to participate in ordinary social life; both are organized around the gap between the social performance the narrator manages and the inner reality that performance conceals

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  8. 8

    Norwegian Wood

    by Haruki Murakami

    The essential modern Japanese companion — Toru Watanabe's love for the mentally ill Naoko; where Dazai's Yōzō destroys himself, Murakami's Naoko is the one who cannot survive, and Murakami's Toru must find a way to go on living; Norwegian Wood is in explicit dialogue with the tradition of Japanese literary self-destruction that No Longer Human represents

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