Recommendations

Books Like Lolita

Eight novels of unreliable beauty, forbidden obsession, and the prose that conceals

Nabokov's formally brilliant masterpiece recommends fiction that demands the reader look past seductive prose to the moral reality beneath, examines obsession and its self-justifications, and explores the tradition of the unreliable narrator taken to its extreme.

  1. 1

    Pale Fire

    by Vladimir Nabokov

    A poem by the fictional John Shade, annotated by the delusional Charles Kinbote — Nabokov's most formally experimental novel and the most direct companion to Lolita as an exercise in unreliable narration; where Humbert's unreliability is in service of self-justification, Kinbote's is in service of a delusion of grandeur; both novels require the reader to reconstruct a reality that the narrator is systematically distorting

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  2. 2

    The Talented Mr. Ripley

    by Patricia Highsmith

    Tom Ripley kills his way into the life he wants — the literary thriller most directly parallel to Lolita in its presentation of a charming criminal whose perspective the reader occupies; where Nabokov's prose makes Humbert seductive through beauty, Highsmith makes Ripley seductive through detachment and competence; both novels force the reader to examine their own identification with a perpetrator

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  3. 3

    The Remains of the Day

    by Kazuo Ishiguro

    Stevens, an English butler, reviews his life on a road trip and reveals, without knowing it, that he has given everything to a man who collaborated with the Nazis — Ishiguro's masterpiece of unreliable narration; where Humbert's unreliability is dramatic and self-serving, Stevens's is quiet and self-deceiving; both novels ask the reader to see what the narrator cannot or will not see, and both enact the tragedy of a life organized around a fundamental misapprehension

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  4. 4

    American Psycho

    by Bret Easton Ellis

    Patrick Bateman, a Wall Street investment banker who may or may not be a serial killer — Ellis's novel uses the same technique as Lolita: a narrator of extraordinary rhetorical self-presentation who is describing horrors; where Nabokov's prose is gorgeous and Humbert's crimes are half-hidden in the beauty, Ellis's prose is flat and brand-obsessed and the violence is deliberately gratuitous; both novels implicate the reader in the narrator's world

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  5. 5

    Notes from Underground

    by Fyodor Dostoevsky

    The Underground Man's confession — the literary ancestor of both Lolita and American Psycho as exercises in the seductive self-justifying monologue; Humbert Humbert and the Underground Man are both hyperconscious narrators who deploy their rhetorical gifts in the service of self-exculpation; Nabokov knew Dostoevsky's work and the connection between the two confessional modes is direct

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  6. 6

    The Collector

    by John Fowles

    Frederick Clegg kidnaps the art student Miranda Grey — the British novel that most directly addresses the same subject as Lolita but from both perspectives (Clegg's and Miranda's); where Nabokov gives us only Humbert's account, Fowles gives us both captor and captive, and the contrast is devastating; reading both novels together shows the full range of what literary fiction can do with the structure of captivity and obsession

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  7. 7

    The Picture of Dorian Gray

    by Oscar Wilde

    Dorian Gray, whose portrait ages while he remains young, descends into corruption — Wilde's novel is the Victorian precursor to Lolita as an examination of how aesthetic beauty functions as a cover for moral horror; Lord Henry Wotton is the novel's real seducer (of Dorian, and of the reader), in the same way that Humbert is Lolita's seducer (of Dolores and of the reader); both novels examine what happens when the aesthetic attitude is detached entirely from moral consideration

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  8. 8

    Speak

    by Laurie Halse Anderson

    Melinda Sordino, a high school freshman, stops speaking after being raped at a party — Anderson's YA novel is recommended here as the deliberate counter-text to Lolita: what the experience of sexual violence actually looks like from the inside, narrated by someone who cannot find the language to describe what happened to her; where Humbert gives Dolores no voice of her own, Melinda's voice is the entire novel; many readers find it essential to read alongside Lolita

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