Recommendations

Books Like La Femme assise by Guillaume Apollinaire

Apollinaire's only novel — a Bohemian adventuress from Spain to Paris and beyond

The posthumous picaresque novel (1920) about the Bohemian Elvire drifting through an imagined America, Switzerland, and Paris — Apollinaire's most sustained prose narrative, mixing his characteristic fantasy and realism in a full-length story of female independence and adventure.

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    Alcools

    by Guillaume Apollinaire

    The poetry that the novel complements — reading both shows the full range of Apollinaire's imagination, from concentrated lyric to extended picaresque narrative; the same obsessions (love, exile, the wandering artist) appear in both but in completely different forms.

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    Le Poète assassiné

    by Guillaume Apollinaire

    The semi-autobiographical prose fiction (1916) is the closest companion to La Femme assise — both are Apollinaire's prose imagination working in extended narrative, and reading them together gives the full picture of his fiction.

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    Candide

    by Voltaire

    The great French picaresque philosophical tale (1759) is the most obvious formal model for La Femme assise's structure and satirical mode — Apollinaire inherited the picaresque tradition from Voltaire and transformed it into a modernist mode.

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    Jacques le Fataliste

    by Denis Diderot

    Diderot's experimental picaresque novel (1796) is the other major French formal predecessor — the digressive, self-conscious narrative that interrupts itself to discuss its own story; La Femme assise shares the picaresque looseness and the pleasure in storytelling as performance.

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    Calligrammes

    by Guillaume Apollinaire

    The wartime poetry collection (1918, same period as the novel's composition) — reading the visual poems alongside the picaresque narrative shows the same period of Apollinaire's life being processed in two completely different forms.

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    L'Enchanteur pourrissant

    by Guillaume Apollinaire

    The mythological prose poem (1909) is the predecessor of La Femme assise's prose mode — both mix fantasy and realism, though the Enchanteur is more purely mythological and the Femme assise is more picaresque and comic.

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    Une vie

    by Guy de Maupassant

    Maupassant's great novel of a woman's life (1883) is the French realist tradition that La Femme assise is both using and departing from — where Maupassant's Jeanne is passive and tragic, Apollinaire's Elvire is active and adventurous; the contrast defines what Apollinaire was reimagining.

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    Poèmes à Lou

    by Guillaume Apollinaire

    The posthumously published love poems from the front — more personal and immediate than the novel, and useful for understanding the emotional life of the same period in which La Femme assise was composed.

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