Recommendations

Books Like Kindred

A modern Black woman is transported to 1815 Maryland — where she must protect the white slaveholder who may be her ancestor

Octavia Butler's Kindred opens in 1976 Los Angeles, where Dana — a Black woman who has just moved into a new apartment with her white husband Kevin — is suddenly transported backward in time to 1815 Maryland. There, she discovers Rufus, a white child drowning in a river, and saves him. She returns to 1976. She is pulled back, each time when Rufus's life is in danger, and must survive increasingly dangerous encounters with the antebellum plantation world while discovering that Rufus is her ancestor — and that she cannot let him die before he fathers the child who will eventually produce her. The novel uses the mechanism of time travel to place a contemporary consciousness inside the experience of American slavery with absolute directness. If the premise, the historical specificity, and the moral complexity of what Dana must do to survive gripped you, these eight picks go to the same place.

  1. 1

    Parable of the Sower

    by Octavia Butler

    Butler's own most famous series — a Black teenager survives the collapse of California and builds a community around a new philosophy. Different premise from Kindred but the same directness about race, power, and what survival actually requires — and the same sense of a female protagonist who survives impossible situations through intelligence and will.

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  2. 2

    The Underground Railroad

    by Colson Whitehead

    A enslaved woman escapes on an alternate-history railroad and encounters different versions of American history in each state she passes through — Whitehead has Butler's same refusal to soften the material, and the same sense of using speculative elements to make the history of American slavery visible in a different way.

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  3. 3

    Beloved

    by Toni Morrison

    A formerly enslaved woman is haunted by the daughter she killed rather than let be taken into slavery — Morrison's most celebrated novel is the most directly comparable work to Kindred in American fiction: both are about the specific horror of the antebellum period, and both use speculative elements (the haunting, the time travel) to make the psychological weight of slavery present rather than historical.

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  4. 4

    The Handmaid's Tale

    by Margaret Atwood

    A woman reduced to her reproductive function in a near-future theocratic America — Atwood has Butler's same instinct for using speculative fiction to make real systems of oppression visible in a different register, and the same insistence on the first-person voice as the irreducible unit of what institutions do to people.

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  5. 5

    The Left Hand of Darkness

    by Ursula K. Le Guin

    Literary science fiction that uses speculative premises to examine real social structures — Le Guin and Butler are the two great literary feminist science fiction writers of the 20th century, and both are most interested in what science fiction can reveal about the present, not the future.

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  6. 6

    A Long Way Gone

    by Ishmael Beah

    A memoir about being a child soldier in Sierra Leone — not speculative, but Beah has Butler's same direct first-person voice about impossible situations and what survival requires, and the same refusal to soften or aestheticize violence.

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  7. 7

    Lincoln in the Bardo

    by George Saunders

    A novel about Abraham Lincoln grieving his son, told partly through the voices of the ghosts in the cemetery — Saunders has Butler's same interest in the specific horror of American history, and the same instinct for using speculative elements to make historical material visceral.

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  8. 8

    Their Eyes Were Watching God

    by Zora Neale Hurston

    A Black woman in early 20th century Florida finds her own life after her grandparents' and first husband's definitions of what she should be — Hurston's novel is the literary ancestor that Kindred descends from: a Black woman's consciousness as the irreducible subject of American literary fiction, told in a voice that has complete authority over its own story.

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