Recommendations

Books Like Graziella

Best books to read after Graziella by Alphonse de Lamartine

Readers drawn to Graziella's Mediterranean landscape, its portrait of innocent love that cannot last, and Lamartine's lyric prose will find the Méditations poétiques as its companion and the tradition of French and European literature about the northern visitor transformed by the south.

  1. 1

    Méditations poétiques

    by Alphonse de Lamartine

    The companion poetry collection and the lyric version of the emotional world that Graziella narrates — the grief and lost love of Graziella are the same materials as those of 'Le Lac,' but in Graziella they are given a specific story, a specific landscape, and a specific woman; reading the two together shows how Lamartine transformed personal experience into both lyric abstraction and autobiographical narrative.

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  2. 2

    Un Hiver à Majorque

    by George Sand

    The companion French Romantic Mediterranean travel writing — where Lamartine's Italian journey is a private idyll of innocent love, Sand's Majorcan journey is a public disaster of illness and hostility; both are accounts of northern European artists in the Mediterranean who found something very different from what they expected, and both transformed the experience into literary material immediately.

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  3. 3

    Paul et Virginie

    by Bernardin de Saint-Pierre

    The companion in the tradition of the prose idyll about innocent love in a tropical paradise — Saint-Pierre's 1788 novel about the two children raised in nature on Mauritius is the pre-Romantic precursor to Graziella's Neapolitan idyll; both are stories of a love between an educated figure and an innocent natural woman that cannot survive the educated figure's social obligations.

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  4. 4

    Italian Journey

    by Johann Wolfgang von Goethe

    The canonical German Romantic travel memoir about Italy and the south as the place of creative renewal — Goethe's account of his 1786–88 Italian journey is the template for the northern European artist transformed by Mediterranean light and culture; Lamartine's Italian journey follows the same emotional logic, though with a more specifically personal and romantic focus.

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  5. 5

    Death in Venice

    by Thomas Mann

    The modern companion in the tradition of the northern European artist undone by the south — Mann's 1912 novella about the German writer Aschenbach's fatal obsession with the Venetian boy Tadzio is the twentieth-century dark version of what Lamartine experienced as beauty and loss in Graziella; the Mediterranean south as the place where northern European rational self-control dissolves is the shared premise.

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  6. 6

    Atala

    by François-René de Chateaubriand

    The companion French Romantic prose in the tradition of innocent love in an exotic landscape — Chateaubriand's American wilderness functions for Atala as Lamartine's Naples functions for Graziella: both are landscapes of innocent passion destroyed by civilization's demands; and both texts use the exotic natural world to argue for the authenticity of feeling that modern European society suppresses.

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  7. 7

    Tender Is the Night

    by F. Scott Fitzgerald

    The American companion in the tradition of the expatriate who finds and loses himself in the Mediterranean — Fitzgerald's 1934 novel about Dick Diver's dissolution on the French Riviera is the twentieth-century American version of the pattern Graziella establishes: the educated northerner in the south, the innocent beauty who cannot be held, the creative and emotional capacity that the southern encounter reveals and then destroys.

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  8. 8

    Oberman

    by Étienne de Sénancour

    The French companion in the tradition of the Romantic autobiographical spiritual autobiography — Sénancour's 1804 novel-in-letters about the self-exiled wanderer in the Swiss Alps is the companion text to Graziella in the tradition of French Romantic autobiographical prose; where Lamartine's narrator is consoled by Mediterranean beauty and love, Oberman is tormented by Alpine bleakness and radical skepticism; together they define the range of French Romantic existential autobiography.

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