Recommendations

Books Like Chatterton

Best plays and books to read after Chatterton by Alfred de Vigny

Readers drawn to Chatterton's argument for the poet's social dignity, Vigny's stoic vision, and the French Romantic drama about the artist in bourgeois society will find Vigny's companion works and the European tradition of the literary artist's struggle for recognition.

  1. 1

    Servitude et grandeur militaires

    by Alfred de Vigny

    The companion Vigny prose work and the one that most directly shares Chatterton's philosophical vision — where Chatterton is the artist destroyed by bourgeois society, the soldier in Servitude is the professional man destroyed by a society that has no use for his skills; both are portraits of the exceptional individual condemned to silence and servitude by the world's indifference to quality.

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  2. 2

    Ruy Blas

    by Victor Hugo

    The companion French Romantic drama about the exceptional man in the wrong social position — Hugo's 1838 play about a lackey who rises to become Spain's chief minister is the political version of what Chatterton stages in the register of artistic vocation; both plays argue that social position determines what a man's quality can achieve, regardless of the quality itself.

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  3. 3

    Lorenzaccio

    by Alfred de Musset

    The companion French Romantic drama and the most psychologically complex — where Chatterton is destroyed by bourgeois indifference to the poet, Lorenzo is destroyed by the means of his own idealism; both are studies in the impossibility of the exceptional individual achieving anything in a corrupt or indifferent world, and both are French Romantic answers to the question of whether heroic action is still possible.

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  4. 4

    New Grub Street

    by George Gissing

    The English companion in the tradition of the literary artist's destruction by the market — Gissing's 1891 novel about writers struggling in the Victorian literary marketplace is the realist novel equivalent of what Chatterton's Romantic drama stages; where Vigny's tragedy is individual and heroic (the boy-genius martyred), Gissing's is social and statistical (the average writer ground down by the economics of Victorian publishing).

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  5. 5

    Martin Eden

    by Jack London

    The American companion in the tradition of the autodidact writer whose genius is recognized only too late — London's 1909 autobiographical novel about a working-class man who educates himself to become a writer and discovers that his success has come too late to satisfy him is the American version of the Chatterton story: the talented outsider who cannot find a place in the literary system he aspires to.

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  6. 6

    Stoner

    by John Williams

    The twentieth-century academic companion in the tradition of the man whose inner quality is invisible to the world around him — Williams's 1965 novel about a university English teacher whose scholarship and teaching are ignored by his colleagues and institution is the quiet modern version of Chatterton's argument: that the world consistently fails to recognize and reward the genuinely excellent, and that the genuinely excellent continue to do excellent work anyway.

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  7. 7

    The Aspern Papers

    by Henry James

    The Henry James companion in the tradition of the literary artist's archive and its stakes — James's 1888 novella about the manuscripts of a Romantic poet held by his aging last lover engages with the Romantic myth of the dead poet whose work survives him, the myth that makes Chatterton's suicide possible to romanticize; James's ironic treatment reveals what the Romantic myth requires to sustain itself.

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  8. 8

    Odes et Ballades

    by Victor Hugo

    Hugo's companion collection and the poetic context for understanding what Vigny was defending in Chatterton — Hugo's early poetry established the social prestige of the Romantic poet, and Vigny's play is partly an argument that this prestige is not recognized by bourgeois society; reading Hugo's poetry alongside Chatterton shows what Vigny thought was at stake in the question of whether the poet deserves social support.

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