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Books Like En attendant Godot by Samuel Beckett

Waiting for Godot — the most important play of the twentieth century

Beckett's 1953 tragicomedy — Vladimir and Estragon wait on a bare stage with a single tree for someone called Godot who never arrives, across two nearly identical acts; written in French by an Irishman, the founding text of postwar theatre.

  1. Fin de partie cover
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    Fin de partie

    by Samuel Beckett

    Endgame (1957) — the essential companion play; more claustrophobic and more despairing than Godot; Hamm and Clov in a room at the end of the world; read immediately after En attendant Godot.

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  2. Molloy cover
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    Molloy

    by Samuel Beckett

    The first novel of the Beckett trilogy (1951) — the prose context from which the plays emerge; the impossible journey toward Molloy and Moran gives the same quality of motion without arrival as the waiting in Godot.

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  3. L'Innommable cover
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    L'Innommable

    by Samuel Beckett

    The Unnamable (1953) — the most extreme of the trilogy; 'I can't go on, I'll go on'; the prose equivalent of the plays' refusal to end; reading the trilogy alongside the plays gives the full picture of Beckett's project.

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  4. La Cantatrice chauve cover
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    La Cantatrice chauve

    by Eugène Ionesco

    Ionesco's 1950 founding text of Theatre of the Absurd — the most important parallel; both Ionesco and Beckett treat language as the primary theatrical subject, but where Ionesco's language fails through redundancy, Beckett's fails through radical insufficiency; the comparison gives the range of the Theatre of the Absurd.

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  5. Huis clos cover
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    Huis clos

    by Jean-Paul Sartre

    Sartre's 1944 one-act is the existentialist companion — three people waiting in a room, unable to leave; the comparison between Sartre's philosophical thesis (hell is other people) and Beckett's refusal of thesis (waiting for no particular reason) gives the full range of postwar French drama.

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  6. Happy Days cover
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    Happy Days

    by Samuel Beckett

    Happy Days (1961) — Winnie buried to the waist in a mound, carrying on with her ordinary routine; the most formally radical of Beckett's plays and the fullest extension of the Godot premise (continuing without arriving) into a new theatrical form.

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  7. The Theatre of the Absurd cover
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    The Theatre of the Absurd

    by Martin Esslin

    Esslin's 1961 critical study gave En attendant Godot its canonical place in twentieth-century drama and shaped the entire critical reception of Beckett's theatre; essential reading for anyone who wants to understand the cultural context of Godot.

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  8. Krapp's Last Tape cover
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    Krapp's Last Tape

    by Samuel Beckett

    The 1958 one-act — an old man listening to recordings of his younger self; the most lyrical and most directly personal of Beckett's plays; a different formal approach to the same themes of time, memory, and the impossibility of self-understanding.

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